Regular readers of this blog know that I like to play with rhyming verse, and in particular that I’m in love with the Onegin stanza, which is like a sonnet but with shorter lines. The Emerging Artist (who incidentally has recently been working on a project to submit to a competition only to have the competition, which would have led to an open-air sculpture exhibition, cancelled) said I should put this recent sequence up on the blog. I didn’t write these with any intention of showing them around, so blame the EA if they displease. Of course if you like them, I’ll happily accept praise.
9 February First drought, then fires, and now it's raining night and day a steady thrum with windy descant never waning: bushfires gone now, floods have come. Our balcony was strewn with ashes then with red dirt. Now it splashes inch deep and our thyme will drown. The lawns are green that once were brown. Raining, pouring, old man snoring, how I loved rain when a boy in Innisfail, a primal joy – so definite, so life-restoring. Now we're cooped up in our flat – warm inside. I'm fine with that.
10 March Drought, fire, flood, and now this virus. Covid-19 tops the bill. Don’t touch your face, wash hands, require us keep two metres from the till. The papers preach self-isolation. Norman predicts devastation. Toilet paper shelves are bare. Trump says we just shouldn’t care. The Spanish Flu, AIDS, SARS, Ebola, tiny predators en masse toss us down a deep crevasse: iPhones, cruises, Coca-Cola promised lives of endless joy. The gods think we’re a knockdown toy.
22 March Hooray for social isolation. Splendid? Truly, not so much. On one side there's devastation, on t'other six months without touch of granddaughter or a movie. Beach and gym closed, and all groovy birthday parties now on line. It's books' and Netflix' time to shine. No more non-essential outings. Work from home unless you're key and key means nurses, teachers, see, not the bankers, brokers, shouting pollies. Oh, and not the arts! God save our isolated hearts!
Love these and I’m sure they are not as easy to compose as they are to read. I’m sure you’ve read Vikram Seth’s wonderful Golden Gate, a whole novel in this form.
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Thanks Gert. It was Vikram Seth’s wonderful book that introduced me to the form. Then I listened to Stephen Fry reading Pushkin’s Eugene Onegin, and I was a goner.
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Oh I thought there was something teasingly familiar about the shape! Lovely!
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Maybe I’ll look out for that for the long days ahead
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Love ,em..you inspire me.One of the problems of modern poetry which off-puts so many is complexity and lengthy (not always interesting)navel gazing..You say a lot with a light touch..Big hug
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Such high praise meaning so much coming from you, Anne. Thank you
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