Category Archives: Reading with the grandies

Ruby Reads (8): Possum Magic

Julie Vivas and Mem Fox, Possum Magic (Omnibus Boks 1983)

Possum Magic is one of the children’s books I have been most looking forward to revisiting. It was published the year Ruby’s father was born and we enjoyed it together many times over.

Julie Vivas’s images – the tiny possum Hush and elderly grandmother, the miscellaneous Australian native birds and animals who follow their adventures, and the round-bottomed children whose discarded Vegemite sandwiches are crucial to the plot – are as freshly witty and whimsical as ever. And if my experience is anything to go by they still play well with the target audience of 2019.

Early in the book, illustrating Grandma Poss’s magic, there’s a cluster of pink kookaburras. On our second read, try as I might, I couldn’t persuade my reading companion to move on, even though she had clearly enjoyed the whole book on the first pass. This time we’d turn the page, but then turn it right back, over and over. Entering into the spirit of things, I did a version of a kookaburra’s laugh. This was such a great success that I was required to repeat it for what may have been half an hour. I laughed myself hoarse, and every time I tried to change the subject, Ruby would make her wishes known, either by saying ‘Ha ha ha’ or by pointing to the pink kookaburras again.

So yes, the images are magic!

But the story is another thing. Grandma Poss has made Hush invisible, and the pair of them travel all over Australia looking for the way to reverse the magic and make the little possum visible. They discover that Vegemite, pavlova and lamingtons do the trick.

Reading it this time, it struck me that in the hands of a lesser illustrator it would have become a travelogue draped over an implausible narrative, with panoramas of the cities visited, close-ups of the ‘iconic’ white-Australian foods, and so on. Julie Vivas has lifted it to a whole other level, made the magic alive and central, and ensured the book’s longevity.

Possum Magic is the sixteenth book I’ve read for the Australian Women Writers Challenge 2019.

More Ruby reads

So many books in Ruby’s house, so little time. I may be doing a weekly blog post for a while to come. Given that the projected life of a children’s book is alarmingly short, it’s heartening to see so many relatively ancient books here.

Leo Leonni, Inch by Inch (1962)

This was Leo Lionni’s first picture book. Not as spectacular as Swimmy, perhaps, it’s still splendid. The tiny inch worm saves itself from being eaten by offering to measure parts of various birds, and finally by rising to the challenge of measuring the nightingale’s song. For small readers, there’s a bit of a Where’s Wally thing going on as the tiny worm appears in every spread. For big ones (including grandparents) there are more sophisticated joys in the spare text and elegant paintings.

Jackie French and Bruce Whatley, Baby Wombat’s Week (Angus & Robertson 2009)

This is a sequel to Diary of a Wombat that won hearts and prizes all over the place in 2002. Who doesn’t love a wombat? And this one’s a baby. Again, the images are probably too complex and the humour too sly for tiny people. But this is wonderful.

Pat Hutchins, Rosie’s Walk (Macmillan 1967)

This is a board book supplied by us grandparents. Its place in our affections is at least as firmly established as The Very Hungry Caterpillar‘s. It’s a classic example of illustrations telling a story of which the verbal text pretends to be oblivious. The bright, patterned illustrations are, of course, gorgeous.

Giles Andreae and Guy Parker-Rees, Giraffes Can’t Dance (2001)

This one doesn’t appeal to me so much, but it’s on high demand in Ruby land, possibly because one of her favourite toys has been a squeaky giraffe named Sophie. The Giraffe in the book is mocked by the other animals because it can’t dance. It wanders off a communes with the moon and the wind, and soon is dancing spectacularly: given how very ungainly the giraffe is in the first part of the boo, there’s something dispiritingly unrealistic in the moral is that everyone can dance if the music is right.

John Klassen, I Want My Hat Back (Walker 2011)

Jon Klassen is a Canadian minimalist picturebook maker. As far as I can tell this is the first of a trilogy about a bear and his beloved hat. The bear, who doesn’t change much from page to page, asks a number of other animals, some of them of indeterminate species, if they’ve seen his hat. We see the hat long before he does (another example of an illustration alerting the reader to something the text is unaware of), and there’s a bloodthirsty and punitive but funny twist in the tale, which I hope young readers generally miss.

Bob Graham, Vanilla Ice Cream (Walker 2014)

Bob Graham! Evidently he’s even more popular in France than in his native Australia. This picture book is the work of an assured master – possibly in his Late Style. A sparrow accidentally hides away in a bag of rice loaded onto a ship in an Indian port. When the ship arrives in a southern land (a non-specific Australian city), the sparrow emerges and flies to a nearby park. There, a dog leaps up towards him and knocks an ice cream out of someone’s hands. The ice cream lands in the lap of a baby in a stroller, and that’s the first time that baby tastes vanilla ice cream. A weird non-plot, you might say. But he pulls it off!

Julia Donaldson and Axel Scheffler, The Snail and the Whale (Puffin 2006)

A strange tail of a snail with an itchy foot who hitches a ride to exotic places on the tail of a whale and comes back to inspire the other snails to go adventuring, having saved the whale’s life by writing a message in slime on a classroom blackboard. Surrealism is alive and well in children’s picture books. This one is way too old for Ruby, but she has two copies, one in the profusion of books and toys in a corner of the living room and one beside her cot.

Anna Dewdney, Llama Llama Red Pajama (2005)

A gauge of the success of this book is that Mr Blue Pencil didn’t notice the US spelling in its title until I wrote it for this bog post. It’s a bedtime story with bright colours, bouncy rhymes (as long as you pronounce mama to rhyme with llama). There’s a fear-of-the-dark moment that might be a bit suggestive for some children. But the relationship between ht young llama and the llama mama is warm and loving, even if she does answer the phone when the young one needs her desperately at the bedside.

Baby Wombat’s Week is the seventh book I’ve read for the 2019 Australian Women Writers Challenge.