Category Archives: LoSoRhyMo

November verse 4: A turning point?

WordPress is currently giving me a reminder each day of posts published on that date over the years. Because my month of versifying has always been November, some seasonal subjects recur, such as jacarandas, Sculpture by the Sea and the Melbourne Cup (but that one only once). No subject has been more insistent than US elections.

And I’ve done a US election verse this year. But first, here are my previous efforts:

4 November 2016, appended to a review of Overland Nº 224:

Verse 4: To Overland on Eight-eleven
Unhappy land that needs a hero.
Orban, Hitler, Donald Trump,
elected (unlike Stalin, Nero)
masters of the campaign stump
who feed on people’s desperation,
fan the myths of race and nation,
harness hate, despair and fear.
A heedless will for change is here.
We do need change. The seas are rising.
The profit motive hurts us all
and holds our governments in thrall.
I’m grateful for the organising,
analysing work you do.
It gives me hope we’ll make it through.

Nothing on the 2018 midterms. Then, 4 November 2020, written before the outcome of the vote was known:

Verse 4: Midnight Tuesday over there
(4 in the afternoon Wednesday here)

Two hundred million odd decisions.
Aggregate them, that's our fate:
a fresh start, maybe some solutions,
else the planet on a plate.
It's midnight last night where they're voting,
now all over bar much shouting,
counting, claim and counter claim
and – who knows – civil war's the game?
Here, next day, the sun is shining,
noisy miners bash the air
the magpies don't pretend to care,
and clouds are mostly silver lining.
'Six million Frenchmen can't be wrong' –
whoever said that is a nong.

6 November 2024, starting with a line from Montaigne:

Verse 4: We do not weigh the vices fairly
We do not weigh the vices fairly,
thumb the scales to suit our whim:
I exaggerate, quite rarely –
you tell fibs – but look at him!
His lies destroy the trust that binds us,
lead us where no truth can find us.
Crowds have wisdom, mobs can rule,
electorates can play the fool.
He's murderous and self-regarding,
incoherent, vile, inane.
He once could boast a showman's brain,
but principles are for discarding.
Lord of Misrule, theatre's Vice:
How could you choose him once, then twice?

So what now? Here goes, using rhyme words from its predecessors:

Verse 4: A turning point, perhaps
Unhappy land that needs a hero
badly so that, when his vice
and love of gold could rival Nero,
land just sighs and picks him twice.
But now a little light comes shining.
on that pool with ruptured lining.
Turns out that you just can't fool
all the people always – rule
to live by. But the rising
tide of reason won't lift all
the boats. The man's a thrall
to savage impulse. Organising
this defeat may be too late.
I tremble for the planet's fate.

November verse 3: To a nephew

Verse 3: To a nephew on being sworn in as a judge in the local court of New South Wales 
Favour, fear, illwill, affection –
none of these must bind or guide
the mind of one whom tough selection
process chooses to preside
in jabot, robe and grave demeanour
in the court. An oath to queen, or
rather king, is duly sworn.
And lo! A brand new judge is born.
After decades in the trenches
practising your lawyer's art,
coming home with aching heart,
now's your time to sit on benches.
Matters small / of great import,
you be the judge, so please the court.
Group of legal professionals and guests posing for a photo in a courtroom
Judge Shaw and his jabot (centre), with Senior Judges and the family members who were able to attend Friday’s ceremony in person.

November verse 2: Looking

Today we visited David Hockney’s Bigger & Closer (not smaller & further away) at the Carriageworks. It’s a spectacular, immersive retrospective. The colours are brilliant, and the technical effects are magic. And Hockney’s voiceover is every bit as charming and thoughtful as you could want. I’m not sure I follow his argument about perspective and his ‘drawing with a camera’ period left me wishing he’s get back to paint. But it’s a wonderful experience, and a good launching pad for a November verse.

Verse 2: Looking

After visiting David Hockney’s Bigger & Closer (not smaller & further away)

Photography's not really looking.
Looking with your eyes takes time.
Microwaving isn't cooking.
Poetry is more than rhyme.
Architects may love perspective.
But for looking, be selective,
let your eyes make all things count,
not see them vanish to a point.
The light glints on a broken bottle,
jacarandas drop their blooms,
gold leaf flares in darkened rooms,
native bees disturb the wattle.
David, Death may have its sting
but colour's still a joyful thing.

November verse 1, 2026

Since November 2010 – can it be that long? – I’ve challenged myself to post fourteen 14-line poems on the blog in November. You can browse past efforts here, or you could even buy one of the seven little books I’ve made out of them – here. Pretty much all the poems are in the form of the Onegin stanza, so called because it was used by Alexandr Pushkin in his epic poem Eugene Onegin, which you can read in translation at this link.

Oddly, given that the starting date has been 1 November for 17 years, I haven’t tackled Halloween until now (unless you count this from 10 years ago).

Here goes:

Verse 1: Halloween 
Hip-high vampires, ghouls and witches,
bog-roll mummies, Pikachus,
hats with horns and bonkers britches,
parents walking shotgun, cruise
the suburb, toting bags for lollies.
Zombie skaters practise ollies.
E-bikes keep sheet-spooks afloat.
Someone's made a pumpkin coat.
Samhein once threw death's gates open
letting ancient terrors in,
to make all sinners rue their sin.
Now terror has a snowflake's hope in
hell at Halloween. At most,
we mock the old religion's ghost.

November verse 14: A Swim at Clovelly

This morning we managed to get to the beach. We got there before the Nippers.

November verse 14: A swim at Clovelly

Seven thirty, from Clovelly
Road, the sea's a silver sheet.
Once there, rub sunscreen on the belly,
back and shoulders, then the sweet
and icy plunge. Today no gropers
show themselves to interlopers
such as us, but one bold gull
dive-bomb swoops us, for the thrill.
And now the beach is full of nippers,
energetic, pink-clad, young,
reminding us that we belong
to boundless life. Ah, flat-white sippers,
once more dry and clothed, we sing
our farewell to another spring.

I have written this blog post on the land of Gadigal and Wangal of the Eora nation, after visiting Bidjigal land and water. I acknowledge Elders past and present of all those clans, and welcome any First Nations readers.

November verse 13: My Fahrenheit 451

We were reminiscing about the good old days before plastic when one of my weekly jobs was to burn household rubbish at the bottom of our back yard. I confessed how I was fascinted then by the way books burned – they needed a lot of help. My niece, fabulous writing workshop leader Edwina Shaw, said, ‘That’s a poem.’ And indeed it is:

November verse 13: My Fahrenheit 451
For Edwina

A boy, I loved to watch the pages
curl, turn black then red, ignite.
I'd sit beside the flames for ages
poking while the sparks took flight.
A book is not an easy burner –
someone needs to play page-turner.
Of all the jobs they gave this boy,
the rubbish-burning was his joy
and phone directories delighted.
I know they say that if you start
by burning books, then like a cart
behind a horse, you'll soon be sighted
burning people. It's not true.
At least, I pledge, I'll not burn you.

I have written this blog post on the land of Gadigal and Wangal of the Eora nation. I acknowledge Elders past and present of all those clans, and welcome any First Nations readers.

November verse 12:

Aargh! It’s the 26th November and I’ve only written 11 stanzas. That means I have to write three stanzas in the next four days. The Emerging Artist says it doesn’t matter because it’s just a self-imposed deadline. But she wouldn’t say that if she had an exhibition looming. So here goes (with links).

November verse 12: Getting it done

Of course I've plenty of excuses:
dental work and days of pain,
books to read, a brace of nieces
come to stay (like welcome rain),
a partner with a foot disabled
needing help from couch to table,
launches, lunches, work for pay,
dishwasher broken, games to play,
and all those podcasts to attend to –
Lydon, Runciman, Aly
and Scott, Prokhovnik, LRB.
A partial list that's mostly see-through.
Mass distraction rules our age.
Make that my subject. Fill the page.

Now that wasn’t so hard, was it?


I have written this blog post on the land of Gadigal and Wangal of the Eora nation. I acknowledge Elders past and present of all those clans, and welcome any First Nations readers.

November verse 11: After László Krasznahorkai

I’m currently reading The Melancholy of Resistance by the 2025 Nobel Proze in Literature laureate, László Krasznahorkai, in a brilliantly readable translation by George Szirtes. I expect I’ll write about it some time next month, after my Book Group meets. For now, I just want to say that I’m loving it, and I want to make one of my November stanzas from a passage in it. Mr Eszter is an old man who has given up on life, rarely leaves his house or even his bed. My stanza is taken from a splendid passage where he goes on at misanthropic, nihilistic length.

November verse 11: After László Krasznahorkai

The world will always disappoint you.
Full of banging, screeching noise,
the sounds of struggle all about you.
Barracks for unruly boys,
uninsulated, draughty, dreary –
no rest for the sad or weary.
That's our lot. Sweetness and light
are just a distant dream, all right?
We're masters of the self-deceiving
endless fever-burn of hope
though all the evidence says Nope.
Faith's just a matter of believing
there could be another state – 
and music's just an opiate.

It’s funnier in Krasznahorkai’s prose. If you’re interested in the source material, it’s on page 121 of the 2016 Tuskan Rock Press edition. Here it is in small type:

The world consisted merely of ‘an indifferent power which offered disappointment at every turn’; its various concerns were too incompatible and it was too full of the noises of banging, screeching and crowing, noises that were simply the the discordant and refracted sounds of struggle and that this was all there was to the world if we but realized it. But ‘his fellow human beings’, who also happened to find themselves in the draughty uninsulated barracks but could on no account bear their exclusion from some notion of a distant state of sweetness and light, were condemned to burn forever in a fever of anticipation, waiting for something they couldn’t even begin to define, hoping for it despite the fact that all the available evidence, which every day continued to accumulate, pointed against its very existence, thereby demonstrating the utter pointlessness of their waiting. Faith, thought Eszter, recognising his own stupidity, is not a matter of believing something, but believing somehow things could be different; in the same way, music was not the articulation of some better part of ourselves, or a reference to some notion of a better world, but a disguising of the fact of our irredeemable selves and the sorry state of the world, but no, not merely a disguising but a complete, twisted denial of such facts: it was a cure that did not work, a barbiturate that functioned as an opiate.


I have written this blog post on the land of Gadigal and Wangal of the Eora nation. I acknowledge Elders past and present of all those clans, and welcome any First Nations readers.

November verse 10

On Friday I had a wisdom tooth removed. Then I had an extreme reaction to the antibiotics my dentist prescribed (don’t ask!). Early this morning, the dentist being closed and my regular GP not available, I made my way down the street to the medical centre at our local supermarket.

November verse 10: At the Marrickville Metro Medical and Dental Centre
We wait our turns and while we’re waiting
Wallabies up on the wall
are playing France. The wait's frustrating:
phones and earbuds keep us all
connected elsewhere – seeing, hearing
things that aren't the thing we're sharing.
One man tells a joke in Greek.
His friend laughs but she doesn't speak.
I've hardly slept, my face is aching,
reading hurts, my phone is dead,
and so I'm rhyming in my head.
No one's dying, no one's making
scenes the movies would applaud.
We each wait til our name is called.

I was seen after an hour or so, the doctor was sympathetic and efficient, I was bulk billed and the replacement antibiotic has produced no ill effects.

November verse 9: Preschool pickup

November verse 9: Preschool pickup

Find your bag and water-bottle,
remind them you don’t have a hat.
Holding Poppa’s hand, ask what’ll
happen if a pussy cat
does battle with a lion or cheetah,
what do you think would be sweeter,
toast with honey and baked beans
or ice cream made on submarines?
In the car to get your sister,
watermelon yes, peach no,
swimming lessons – 'I won't go!'
Then a confidential whisper:
'Will I see my mummy soon?'
A normal Wednesday afternoon

I have written this blog post on the land of Gadigal and Wangal of the Eora nation. I acknowledge Elders past and present of all those clans, and welcome any First Nations readers.