Category Archives: Retrieved from ‘Family Life’

The corner store makes a comeback

[Because the older version of this blog has become unreachable, I am retrieving at least occasional posts from it that I see people trying to click on. This is one from January 2007.]

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First a little history.

When Penny and I came to live at this end of Annandale Street about thirty years ago there was a fully-functioning mixed-goods business on the corner owned and run by the genial Pavan brothers, former sugarcane cutters originally from Veneto, or maybe Friule. (I don’t know who P & T Caneiro were whose name appear above the door in the photo: they appeared when the Pavans’ name was recently scraped off.) There was a butcher shop next door, which closed down maybe fifteen years ago and made the apparently irreversible transformation into someone’s home. Not long after that, the Pavans retired and sold the business, though not the building, to Zorin and Margaret, a couple who live five or six doors down from us. The unremitting work proved too much for them after some years, and they were succeeded by a man we didn’t know, who installed an espresso machine and had the mermaid and a flash “Providore and Coffee” sign painted. Alas, he became addicted to online games, the stock ran down severely and he never achieved his goal of having a genteel, lucrative haven under his dominion. He was succeeded by a family from the next block – led by Lynn, the materfamilias who had been the mainstay of the school tuckshop for years. They did well and were much loved.

As Mollie’s dementia intensified Lynn kept an eye out for her, not only extending her credit but regularly reminding her, for example, that she had already bought a loaf of bread that morning. They instituted a book exchange – no money involved, just a community service. There were often a couple of people sitting at the little table out the front with coffee and cake. But sickness in the family took its toll, and in September when the Pavans decided to sell there was no way Lynn’s family could buy. Amid much lamenting, the fittings were auctioned and the doors were shut. Penny and I came home from our European trip to a shopless neighbourhood.

The building was sold and no more was heard for some months. Given how the last three proprietors had struggled, I don’t think I was the only one who assumed our block would remain a shop orphan.

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Then today as we walked past we noticed signs of destruction, signs of life.

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So we popped in to see what was happening, and lo, a young man who introduced himself as Rod was pulling the place apart, ripping down walls, generally exposing the filthy, smelly nooks and crannies to the harsh light of day. It turns out he has run six cafes before. He’s shying away from calling this a cafe – he wants it to be a community hanging out place where people can sit and eat good cheap food as well as buy basics and some deli stuff: armchairs and sofas and nice old tables, a separate room opening out to the eastern light, home made jams, locally grown produce. He gave us the guided tour and when I went down again to take some photos he was chatting with another couple who were as enthusiastic as we had been. The crumpled mass on the counter near Rod’s left hand is a 1943 newspaper from behind the wall lining. He plans to frame a page of it.

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Rod told me he had been doing a bit of work there in the first week of the year and had found three Christmas card shoved under the door when he arrived one morning. Assuming they were mail for the previous occupants he had been about to throw them out when he noticed that one of the envelopes was addressed, ‘Rodney.’ It turned out that all three cards were for him and his girlfriend-partner. The neighbourhood is happy he’s here.

I’ll keep you posted.

Candy, The Wild Things and Baba Yaga

Retrieved from my old blog, 20 December 2006.

My friend Candy, now a formidable office manager, was once the director of a childcare centre. Today she told me that she used to read Maurice Sendak’s Where the Wild Things Are to her young charges, and when Max said, ‘Let the wild rumpus begin!’, she would play a tape of Mussorgsky’s Baba Yaga’s Hut on Hen’s Legs from Pictures at an Exhibition, and the young ones would go wild until Max made them stop.

I hope you find the image as charming as I do.

Posted: Wed – December 20, 2006 at 03:58 AM

November books

Shlomo Ben-Ami, Scars of War, Wounds of Peace (Weidenfeld & Nicholson 2005)(finished)
Lily Brett, New York (Picador 2001)
Simon Leys, The Wreck of the Batavia and Prosper (Black Inc 2006)
Ivor Indyk (editor), Heat 12: Ten years (2006)

Years ago, when he was in his teens, Alex explained why he wouldn’t read Terry Pratchett: ‘If I’m going to make the effort to read a book, it needs to be about something important.’ He made sense, but I’ve never felt that way myself, not in the slightest – until I picked up a detective story at the start of this month and couldn’t see the point. After books on climate change, Arab-Israeli politics, the nature of history, etcetera, I wanted something that was either very meaty or no effort at all.

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I found this Lily Brett book on my friend Judy’s shelves – a collection of short pieces, each one exactly three pages long, and staying resolutely at the level of observation and wry, reflexive commentary. (Unsurprisingly, mentioned nowhere in the book itself but prominent in its description on Lily Brett’s web site, the 52 pieces were commissioned as weekly columns for a newspaper, Die Zeit – a provenance which also explains the frequent German references.) Perfect, elegantly insubstantial bedtime reading, which morphed into perfect read-aloud in the car on the drive from Melbourne to Sydney when my reading of Shlomo Ben-Ami’s syntactically challenging sentences threatened to send driver my to sleep by the time we’d reached 1967 (roughly a third of the way through). We arrived home safely and in buoyant spirits ten minutes after the end of Lily’s last piece.

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Once home, I didn’t immediately pick up Scars of War as a solitary read. I took a break, and knocked over Simon Leys’ book on the Batavia in a couple of days. He starts out saying he had planned to write on the subject for a long time, but given up when he read Mike Dash’s Batavia’s Graveyard, a book he recommends. I don’t think I’m up to the long book, and might not have read this one had I not received it as a freebie when I re-subscribed to the excellent The Monthly. But it’s a fascinating subject: a hideous reign of terror on a coral atoll off the coast of New Holland in the mid 17th century. I was impressed to find that the murderous teenage boy who was part of the events comes across as just as horrifying in this brief account as he does in Gary Crew’s young-adult novel, Strange Objects. The impression created by the novel that it is based in something real is borne out by this book. Simon Leys’ Batavia isn’t really book-length, and the volume is filled out with another essay, this time an account of the author’s tuna-fishing trip on a sailing boat in 1958.

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After that bracing dip into two very different seas, I was about to return to the dryness of war and peace in Israel, when Heat 12 arrived in the post. It turned out to be right on theme – I’ve written a separate post.

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Then I got  back to Shlomo Ben-Ami‘s book. The author is a self-described Zionist of the Left, a one-time member of the Knesset and chief negotiator in Israeli–Palestinian negotiations, an activist for peace, and clearly a passionate historian. The book is a superb history of the diplomatic, political and military tactics and strategies, coups and blunders in the Middle East. Its emphasis is on the negotiations, ‘the peace process’; wars and violence feature only as they impact on the politics. The Munich Olympics, for instance, don’t rate a mention, and one searches in vain for a detailed account of any of the many violent episodes. As a know-next-to-nothing reader, I would have loved an easy-reference timeline up the back, and perhaps a glossary giving key dates, events and outcomes for each salient episode. In the absence of such kindnesses, I felt my ignorance acutely at times, but if that minor discomfort was the price of admission, the show was well worth it.

There are wonderfully sharp portraits of the main players, David Ben-Gurion, Golda Meir, Moshe Dayan, Yitzak Rabin, Yasser Arafat – not the kind that seizes on colourful details but rather evokes the characters as complex human beings and political operators: no mention at all of Dayan’s eye patch, but a brusque sketch of him as a man who inspired many people but was completely incapable of being close to anyone, a fierce Zionist who despised Judaism and had a kind of pagan belief system. The pages on Arafat are devastatingly brilliant (I wouldn’t have a clue if they’re accurate, but they explain a lot).

The early chapters delineate the complex interplay of imperial aggression and Zionist aspiration that led to the first Jewish settlements, are unflinching in their account of the dispossession and abandonment of the Palestinians, and anatomise the complexities of the politics in the region, including the roles and objectives of the superpowers. As the book comes closer to the present, and the author’s own direct observations and even interventions become part of the story, it might easily have lost its way in the detail of personalities and politicking; instead it becomes absolutely engrossing. Little bits of gossip enliven the narrative – Arafat had such difficulty renouncing terrorism that he also had difficulty pronouncing it: at the Camp David peace talks he three times promised to renounce ‘tourism’.

The book’s real strength is that this is an insider’s view, and the whole story is presented on a human scale – not that the narrative reduces the stakes and complexities to the level of personality; more that it explores the huge dimensions of the persons involved: the myths that sustain them and undermine them, their capacity for generosity and humiliation, their relationships as political leaders with their constituencies, their skills as negotiators …

No doubt this book has its detractors, and it may well have got it wrong on any number of counts. But reading it has put me within cooee of understanding why the Middle East goes on defying attempt after attempt at peace. It has also given me tantalising glimpses of Advanced Negotiation (it’s salted with gems like, ‘The weakness of your rival is a reason to reach an agreement with him, not the trigger to humiliate him further’) and of Leadership With or Without Megalomania. Although its subtitle, ‘The Israeli-Arab Tragedy’, is thoroughly justified by the amount of death and destruction contained in this narrative, by the hubris of some players (mostly Israeli) and the opportunities culpably missed (spectacularly, but not at all exclusively, by Yasser Arafat), it manages all the same to end on a note of cautious but plausible optimism:

The time has finally arrived to assume that the complete satisfaction of the parties’ respective dreams or presumed rights will only lead them both to perdition. Here it is incumbent upon each to devise realistic ways that would heal without opening new wounds, that would dignify their existence as free peoples without putting into jeopardy the selective security and the particular identity of the other. The moment has come for the creative energies of the parties to this most protracted of conflicts to be put, at long last, to work in the service of a durable peace.

Dinner at the Art Gallery

I love the Premier’s Literary Awards dinner. It’s a night when writers who aren’t Neil Gaiman get to be stars: all these people who spend much of their lives tapping away in the quiet of their rooms emerge into the limelight and a chosen ten or so get to stand up at the podium and say something witty or profound or incoherent and shake a politician’s hand to great applause. I was going to say it was like a literary Oscars, but it’s more of an anti-Oscars: a celebration of the inward, the thoughtful, the critical, the gentle, the impassioned and the incisive.

Tonight was the fourth time I’ve been to the dinner. This year it moved down the road from the Strangers Room in Parliament House to ‘The Grand Court’ at the Art Gallery of New South Wales. It’s a pleasant space, and there wasn’t the hurry to get us out by 10 pm that marked the event at its old venue.

The address was given by Neil Armfield, not himself known as a writer, but a director in the theatre and now in film. I subscribe to the Belvoir Street Theatre, his home, and love his work in spite of being goaded to sarcasm by his penchant for having at least one male actor take off all his clothes, or at least urinate on stage, in every play – though come to think of it, no one disrobed in Waiting for Godot or anything I’ve seen since, so perhaps that signature motif is in the past, at least on stage (Heath Ledger drops his daks in Candy). Anyhow, tonight he spoke with tremendous passion and humour, starting with the moment on an Aer Lingus flight when he realised the plane seats were covered with elegantly written quotes from Irish writers: ‘Oh to live in a country …’ he started before being interrupted by applause.

Last year I had the unexpected and scary honour of being seated next to Ruby Langford Ginibi, ‘a national treasure and an icon of the survival and power of Aboriginal people’, who won the Special Award. This year I was flanked by people I know.

My predictions, unsurprisingly, were largely incorrect: I picked only two of the winners, though one of them won two prizes. I haven’t read any of the winning books, and very very little of the poetry of the Special Award recipient, of whom more later.

  • Tim Flannery won the Gleebooks Prize and the Book of the Year Award for The Weather Makers, which I had tipped to win a different prize. Tim moved straight to the microphone and delivered an urgent reminder of the importance of climate change. Since the book was published, he said, new research has indicated that things are even worse: a study soon to be published calculates that the northern polar ice cap will melt in the summer by the year 2016. We are blighting our children’s future for our own comfort, and there are alternatives to hand. Called back to the podium without warning to receive his second prize at the end of the evening, and clearly unprepared, he leaned into the mike and said – no time wasted in thank-yous or by-your-leaves – ‘Go out and buy a solar panel.’
  • Kate Grenville’s The Secret River won the Community Relations Commission Award and the Christina Stead Prize for fiction. She said in her second speech that she had expected to be attacked because of the book, which explores some uncomfortable Australian history, based on her own forebears’ story. She was so frightened, she said, that she took her name out of the phone book. But instead of attack she finds that people are hungry for what the book has to offer.
  • The UTS award for New Writing – Fiction was won by Stephen Lang, An Accidental Terrorist.
  • Script Writing Award was won by Chris Lilley, We Can Be Heroes, who gets the prize for shortest acceptance speech ever. He didn’t say much more than ‘Thank you’. Bob Debus, Minister for the Arts, who was handing out the prizes, bemusedly muttered, ‘Terrific,’ and moved on to the next winner.
  • Play Award was won by Tommy Murphy, Strangers In Between. ‘We’d love to do your play,’ the director of the Griffin Theatre had said to him, ‘if only it was better.’ They worked on it and it obviously got better.
  • Prize for Literary Scholarship was won by Terry Collits, Postcolonial Conrad: Paradoxes of Empire (as tipped by me). He gave a very funny speech, in which he spoke about ‘pollies’ and ended by suggesting that John Howard might consider ‘The Life of Mr Polly’ as a possible title for an autobiography.
  • Patricia Wrightson Prize won by Kieren Meehan, In the Monkey Forest.
  • Ethel Turner Prize for young people’s literature won by Ursula Dubosarsky, Theodora’s Gift. She thanked the Premier, the Minister and the government for the award, for the words about the importance of children’s literature with which the Premier had opened the evening, and then went on to thank the government and all the governments of New South Wales for the last 90 years for creating and sustaining The School Magazine, an institution readers of this blog will know is dear to my heart. This was my Stendhalismo moment.
  • Kenneth Slessor Prize was won by Jaya Savige, a young man from Brisbane with his hair tied back in a rough bun, for Latecomers. He thanked his mother – ‘Writing this book was one of the things I promised her I’d do’ – and ‘Ken’, who turned out to be Kenneth Slessor. He then did a lovely recitation of Slessor’s ‘South Country‘.
  • Douglas Stewart Prize for non-fiction was won by Jacob G. Rosenberg for East of Time, a memoir which he described as a festival of ideas and people.

The Special Award went to Rosemary Dobson, who had to be helped up onto the podium, and looked terribly frail. She too read us a poem, ‘Museum’, which ends:

What then to do?

Learn still; take, reject,
Choose, use, create,
Put past to present purpose. Make.

No fewer than seven people thanked their editors by name. You find this ordinary, I find it lovely. (Slessor is obviously on my mind.) Tim Flannery also thanked his two principal researchers, his poorly paid children.

All the usual suspects were there, by which I mean most of the shortlisted writers, a number of publishers and agents, eminent politicians who know how to read (not a huge number of those), previous judges (of which I am one), booksellers, bloggers (though I only know of three counting me), shadows and perhaps a stalker or two. As usual I left soon after the speeches were over, but I did have fun doing a bit of catching up, garnering gossip, chatting, congratulating, commiserating. I bought two books, sadly not including the Terry Collits book, a fairly slender hardback priced at $170 odd: academic publishing ain’t cheap.

Two Mrs Williamses

[31 August 2023: I originally posted this on 10 February 2006. I’m making it public now as it’s relevant to a piece I’m writing about the Voice Referendum.]

In E. J. Levy’s essay, ‘Mastering the Art of French Cooking’ in The Best American essays 2005 (edited by Susan Orleans), I was astonished to read this, about Mrs Williams, the ‘cleaning lady’ who came to her childhood home once a week:

I felt ashamed when I saw my mother and Mrs Williams chatting over coffee at our kitchen table. I saw their silhouettes against history, and they made an ugly broken line. I read in it patronage, condescension, exploitation, thwarted rage.

I thought at the time that it was misapplied gentility that prompted my mother to sit with Mrs Williams while she ate lunch. Their conversations seemed to me a matter of polite routine. They spoke generally. Of the latest space launch, Watergate, the price of oil. When Mrs Williams was dying of breast cancer, she told my mother that my mother had been her best friend. Her best friend. My mother told me this with wonder, as if she were amazed that anyone had ever considered her a friend. Now I wonder if the declaration moved her too because she understood its corollary, that Mrs Williams had been her best, perhaps her only, friend.

I was astonished because there are so many points of contact with my own experience. When I was a child on a sugar farm in Innisfail, North Queensland, in the 1950s, a long way from E. J. Levy’s Watergate-era Minnesota, an Aboriginal woman, also named Mrs Williams, would come to our home at least once a week to clean. She and my white, blue-rinse-genteel mother would sit at the breakfast-room table – right next to the kitchen – drink coffee and chat about generalities, of which the only one I remember is the One People of Australia League. The spectres of ‘patronage, condescension, exploitation and thwarted rage’ may have belonged in that room too, though I can’t claim to have been aware of them on my days home from school with asthma – I was more drawn to the mystique of the coffee they drank (Bushell’s non-instant coffee boiled in a saucepan of milk), and the Milk Arrowroot biscuits they had with it.

I have often reflected, though, on the friendship that grew from such (you would think) unpromising soil. When my parents left the farm and moved to a smaller house, Mrs Williams would still come once a week to clean, even though Mum didn’t need the help any more. After my father died and Mum moved into a tiny house close to town it became impossible to keep up any pretence of needing a cleaning lady: Mrs Williams kept coming once a week, to drink coffee and chat. I think it was about then that they stopped calling each other Mrs Shaw and Mrs Williams and became Esme and Pearl.

In her seventies my mother lost confidence as a driver – she would drive a very long way anti-clockwise to avoid having to make a right hand turn – but she she still drove regularly to the Williamses house to take Mrs Williams to the shops, or her husband (Mr Williams) to a hospital appointment.

I doubt if anyone would say that they were each other’s best friends, but they were real friends.

Postscript: The internets tell me I am mistaken to think Mrs Shaw and Mrs Williams talked about OPAL in the 1950s: it wasn’t founded until 1961, and I had already left for boarding school by then. My mother must have told me about Mrs Williams’s involvement in it when I cam home for holidays.

A couple of firsts

I’ve had my name on the front of at least one book; I’ve been mentioned on the inside of at least one; but yesterday a book arrived in the mail that has my name on its back. Yep, I’ve made it into the ranks of those who supply cover blurbs. The book is Lorraine Marwood’s collection of poetry That Downhill Yelling, published by Five Islands Press.Not only that, but my blurb is used as the promo on the Five Islands Press web site, where incidentally: a) my first name is misspelled (the book has it right); b) they have me still at my old job (so does the book, but that’s fine as I was in the job when I gave the quote, though I wouldn’t have given it if I’d been going to be still there when the book was published, because of Public Service ethics and all that); and c) they don’t quote the bit of the blurb I like best (‘If I ever use the phrase “downhill all the way” again, it will inevitably have a new, exuberant meaning’), though arguably I should be grateful that someone murdered that particular darling.

Anyhow, don’t buy it just for the blurb, but do buy it. It’s a terrific book, for older children and younger adolescents. Again I lament that those annual ‘best of’ collections apparently exclude children’s poetry from their pool.
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No sooner had I finished writing that than I found in the mail my first rejection slip since leaving my job. It’s just two short paragraphs on a letterheaded third-of-A4 slip of paper. After dropping the bad news, the second paragraph goes on:

Please don’t despair. Our judgement is well-schooled, but inevitably subjective.

Posted: Thu – December 15, 2005 at 03:01 PM

Quarterly Essays

[This post first appeared on my old blog on 2 October 2005. I’m making it public in this one in September 2021 because I want to link to it.]

John Hirst, Kangaroo Court’: Family Law in Australia (Quarterly Essay 17)
Gail Bell, The Worried Well: The Depression Epidemic and the Medicalisation of our Sorrows (Quarterly Essay 18)
Judith Brett, Relaxed & Comfortable: The Liberal Party’s Australia (Quarterly Essay 19)

Let me sing the praises of the Quarterly Essay. Published by Black Inc in Melbourne, it’s a series of substantial papers on matters of public interest, generally thoughtful, often polemical and, of the ones I’ve read, always readable. The last three have been historian John Hirst on the Family Law Court, writer and pharmacist Gail Bell on depression and pharmaceuticals, and political historian Judith Brett on the political success of John Howard and the Liberal Party. In a time when public discussion so often consists of sound bites or prolonged slanging matches (culture wars, history wars, poetry wars, not to mention the Latham diaries and the recent political and nearly personal destruction of John Brogden), this series stands out like a beacon.

Not only does each issue present a sustained piece of argument, it also includes correspondence on previous issues. So there have been replies from the people most fiercely criticised by John Hirst, as well as thoughtful additions and contextualisations of his argument; and responses to Gail Bell’s piece that range from defences of Big Pharma to two pieces that argue she didn’t go far enough in her critique.

The Art Student reckons that Judith Brett’s essay is the best thing she’s ever read about Australian political history, and that it should be made into a film or a comic book so as to have the widest possible readership. And QE20, due out in December, can reasonably be expected to have the very best that anyone can come up with by way of rebuttal, expansion, derision. I don’t suppose we’ll hear from John Howard himself, but I’m confident there’ll be something other than the lurid rantings of columnists like Andrew Bolt or Miranda Divine.

It gives one hope for something like a civil society.

[From August 2004] Vale Thea Astley

In tonight’s news, running a very poor third to Ian Thorpe’s brilliance in Greece and John Howard’s increasingly transparent duplicity (‘I won’t take a polygraph test because if people can’t tell I’m truthful by looking at me they’re not going to believe me just because a machine says I’m telling the truth’), we were told that Thea Astley died today.

I met her and heard her speak when I was an impressionable 21 year old. The one thing I remember well was an anecdote about Patrick White that she told with great pleasure, to an audience of young Marist Brothers, for the most part earnest seekers after knowledge and virtue. White had read her novel The Well Dressed Explorer, perhaps in manuscript, or at least very soon after publication, and commented: ‘Thea, if you’re going to write about a shit, make sure it’s a very big shit.’