List 1. Movies (with links to the movies’ IMDb pages):
The Art Student and I gave each of the 50+ movies we saw in 2014 a score out of 5. There was a respectable number of 4s and 4.5s. Here are the seven with a combined score of 9.5 or more, in no particular order:
Disruption (Kelly Nyks & Jared P. Scott): we broke our tacit rule about not including movies we saw on the small screen for this one. It’s a brilliant presentation of the situation we face, made in preparation for the Climate Mobilisation in August, but still powerful and useful.
Boyhood (Richard Linklater). This does miraculous things with filming in real time. The actors actually age as the characters do. Towards the end, someone says, ‘I thought there’d be more,’ and we feel her pain.–
Locke (Steven Knight). Another film that does wonders with real time. One man drives in a car through the night, and is spellbinding. The spell is greatly helped by the beauty of Tom Hardy’s voice.
Charlie’s Country, Rolf De Heer’s brilliant collaboration with David Gulpilil is just superb. That it to some extent reflects Gulpilil’s own story gives it a depth of feeling.
12 Years a Slave (Steve McQueen). Nothing much needs to be said, except that this is a wonderful movie.—
We saw Citizen Four (Laura Poitras) as part of the DOC NYC film festival. It’s a stunning documentary that plays out like a thriller, complete with grim comic relief, about Edward Snowden’s revelations of government surveillance.—
Nick Broomfield’s Tales of the Grim Sleeper, which we also saw as part of DOC NYC, makes a mockery of most fiction movies about serial killers, and peels back the cover from race relations in the US.
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Our worst movie
This prize has to go to the only film we walked out of: Woody Allen’s shouty, silly, predictable and unfunny Magic in the Moonlight. (To be quite honest, the Art Student predicted the reveal; I just didn’t care.)
List 2. Books
The Art Student’s best five (with comments taken from my notes of a chat about them):
Siri Hustvedt, The Blazing World: The Art Student particularly loved how convincingly this novel describes the artworks created by its protagonist. [We heard Siri Hustvedt read from The Blazing World to about 30 people in Brooklyn last month. She read beautifully and answered questions generously. Memorably, she told us she had found Kierkegaard to be great fun since she first read him as a teenager.]
Alan Furst, The Spies of Warsaw: a novel of espionage in eastern Europe in the 1930s. Strong on atmosphere and suspense, it manages to tell its story without contriving a catastrophe.
Helen Garner, This House of Grief: Everyone who likes this book seems to give different reasons. The Art Student liked its tight, almost domestic focus on its characters.
James McBride, The Good Lord Bird: a novel about John Brown, the anti-slavery activist, from an African-American point of view.
Malala Yousafzai, I am Malala: a fabulous, fabulous book that combines a History 101 of the Peshawar Valley with an account of two extraordinary people, Malala and her father.
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I’m not going to list a best five books, but here are six that delighted, challenged and enlightened me, or did that thing of putting into words things I dimly felt or perceived. The images link to my blog entries.
–A note on gender and diversity: The Art Student announced proudly that she had read more books by women than by men (as she usually does). I read 25 by women and 32 by men. Up against recent Viva statistics on literary journals on reviews by women or about women writers, I’m doing pretty well. I’ve read 6 books in translation, from Chinese, Japanese, Bengali and Hebrew.
List 3. Best ‘Me Fail I Fly!’–related headline:
Onward to 2015!
Me fail? I fly! 