Daily Archives: 29 December 2014

Guy Rundle’s Clivosaurus

Guy Rundle, Clivosaurus (Quarterly Essay 55)

1863957014Since I first met Guy Rundle’s writing in the late 1980s I’ve thought of him as two writers in one. He wrote brilliant scripts for Max Gillies’ stage and TV satires, and at the same time wrote formidably, even impenetrably, abstract prose for the Marxist periodical Arena. In Clivosaurus those two Rundles are working well together: the essay is bitingly funny where it needs to be, and provides much-needed serious analysis of its subject. Its prose, happily, is far from impenetrable.

The essay begins with an episode from the familiar Clive Palmer narrative, the epic weekend at Palmer’s Coolum resort just before the first Senate sitting of 2014.

‘I donnn’t wannnnn’t to see any more dinosaurs,’ said a small girl. ‘We’re going to see the dinosaurs,’ said her dad, pulling her along. The weekend was rich in analogy.
Over at the Coolum rooms, other big beasts were gathering. The PUP’s Queensland senator, Glenn Lazarus, the ‘brick with eyes’, rolled in with a posse of good ol’ boys, enormous men in male bling, tapping on BlackBerries as they walked. Palmer’s other media guy, Andrew Crook – improbably but inevitably trading as Crook Media – buzzed around, harassed and bothered. Then a golf cart pulled up, and Crook imposed himself in front of the two camera crews as His Cliveness struggled  out.

In general, the press has focused on the comedy of Clive Palmer, treating his entry into federal politics as if it was akin to his animatronic dinosaurs or his plan to launch a new Titanic, needing no further explanation than naked economic self-interest and his vendetta against the conservative parties of Queensland. This essay relishes the comedy, going so far as to include some of Palmer’s eminently mockable poetry. It also goes into the swashbuckling history of the Gold Coast and Queensland conservative politics, in which Palmer has been a player. But it goes on to argue that behind the twerks and twaddle is a consistent political outlook rooted in Palmer’s Catholic centre right background:

Palmer has been completely consistent in doing what he said he’d do – vote to abolish the carbon and mining taxes – and completely in accord with his stated beliefs in developing a set of policies in response to the surprise budget. For six months he has said he and his party would not agree to the Medicare co-payment, the harsh new arrangements for unemployed youth, an increase in university fees or ‘assets recycling’, and he hasn’t. Much of what he was willing to compromise on with the government involved issues and policies peripheral to his philosophy. His rapid deal-making, a legacy of his real-estate and mining-lease years, and his ability to package and repackage sets of options at a rapid pace seemed to bamboozle people, to convince them that anything was up for grabs. Yet this was nothing more than the horse-trading that is a necessary part of politics everywhere else, but that has been lessened by the lock-step nature of the Australian party system.

Perhaps the essay’s final movement is its most interesting. ‘It is not Clive Palmer per se,’ Rundle writes, ‘ that is the source of this merry dance we have been on in the past six months.’ He goes on to discuss what he calls ‘the now sclerotic apparatus of Australian government’, by which candidates who receive a tiny fraction of the primary vote can gain seats on the Senate, and the way the major parties and the media have vested interests in not challenging that system. People may be upset at the disruptive effect of Clive Palmer and the PUPs wielding such power, but just imagine if it had been Gina Reinhart or someone similarly lacking in Palmer’s social concerns (such as they are) had bought their way into parliament the way he did! What’s more, we have

a Treasurer whose family fortune is constituted by his wife’s skills as a banker, and whose family’s future fortune will be considerably affected by the general decisions the Treasurer and his party make on taxes, interest rates, deductibility and the like. The party system masks the latter set of interests – Palmer’s, at least, are right out there where we can see them. … [In] the longer term we will only have come out of this period successfully if we are pointed towards an era when big beasts no longer, with such impunity, stalk the land.

So this started out looking like one of the Quarterly Essays that probe the personality of a public figure, or explore the way they appeal to some generalised Australian national psyche, but it turns out to be a call to action on a serious problem with our ‘democracy’.

Best of 2014 in 3 lists

List 1. Movies (with links to the movies’ IMDb pages):

The Art Student and I gave each of the 50+ movies we saw in 2014 a score out of 5. There was a respectable number of 4s and 4.5s. Here are the seven with a combined score of 9.5 or more, in no particular order:

17_dDisruption (Kelly Nyks & Jared P. Scott): we broke our tacit rule about not including movies we saw on the small screen for this one. It’s a brilliant presentation of the situation we face, made in preparation for the Climate Mobilisation in August, but still powerful and useful.

17_bhBoyhood (Richard Linklater). This does miraculous things with filming in real time. The actors actually age as the characters do. Towards the end, someone says, ‘I thought there’d be more,’ and we feel her pain.

17_L Locke (Steven Knight). Another film that does wonders with real time. One man drives in a car through the night, and is spellbinding. The spell is greatly helped by the beauty of Tom Hardy’s voice.

14_CCCharlie’s Country, Rolf De Heer’s brilliant collaboration with David Gulpilil is just superb. That it to some extent reflects Gulpilil’s own story gives it a depth of feeling.

12y12 Years a Slave (Steve McQueen). Nothing much needs to be said, except that this is a wonderful movie.

17_c4We saw Citizen Four (Laura Poitras) as part of the DOC NYC film festival. It’s a stunning documentary that plays out like a thriller, complete with grim comic relief, about Edward Snowden’s revelations of government surveillance.

tgsNick Broomfield’s Tales of the Grim Sleeper, which we also saw as part of DOC NYC, makes a mockery of most fiction movies about serial killers, and peels back the cover from race relations in the US.

Our worst movie
This prize has to go to the only film we walked out of: Woody Allen’s shouty, silly, predictable and unfunny Magic by Moonlight. (To be quite honest, the Art Student predicted the reveal; I just didn’t care.)

List 2. Books

The Art Student’s best five (with comments taken from my notes of a chat about them):

144477963XSiri Hustvedt, The Blazing World: The Art Student particularly loved how convincingly this novel describes the artworks created by its protagonist. [We heard Siri Hustvedt read from The Blazing World to about 30 people in Brooklyn last month. She read beautifully and answered questions generously. Memorably, she told us had found Kierkegaard to be great fun since she first read him as a teenager.]

1400066026Alan Furst, The Spies of Warsaw: a novel of espionage in eastern Europe in the 1930s. Strong on atmosphere and suspense, it manages to tell its story without contriving a catastrophe.

Helen Garner, This House of Grief: The Story of a Murder Trial (Text 2014)Helen Garner, This House of Grief: Everyone who likes this book seems to give different reasons. The Art Student liked its tight, almost domestic focus on its characters.

1594486344James McBride, The Good Lord Bird: a novel about John Brown, the anti-slavery activist, from an African-American point of view.

0316322407Malala Yousafzai, I am Malala: a fabulous, fabulous book that combines a History 101 of the Peshawar Valley with an account of two extraordinary people, Malala and her father.

I’m not going to list a best five books, but here are six that delighted, challenged and enlightened me, or did that thing of putting into words things I dimly felt or perceived. The images link to my blog entries.

Alexis Wright, The Swan Book (Giramondo 2013)

Alexis Wright, The Swan Book (Giramondo 2013)

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David Malouf, Earth Hour (UQP 2014)

Jennifer Maiden, Drones and Phantoms (Giramondo 2014)

Jennifer Maiden, Drones and Phantoms (Giramondo 2014)

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Alice Oswald, Memorial: An excavation of the Iliad (Faber & Faber 2011)

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Russell McGregor, Indifferent Inclusion: Aboriginal people and the Australian nation (Aboriginal Studies Press 2011)

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Amira Hass, Drinking the Sea at Gaza (1996, English translation @Metropolitan Books 1999; Owl Books 2000)

A note on gender and diversity: The Art Student announced proudly that she had read more books by women than by men (as she usually does). I read 25 by women and 32 by men. Up against recent Viva statistics on literary journals on reviews by women or about women writers, I’m doing pretty well. I’ve read 6 books in translation, from Chinese, Japanese, Bengali and Hebrew.

List 3. Best ‘Me Fail I Fly!’–related headline:

5ip

Onward to 2015!