Robert Adamson (guest editor), Poetry, May 2016 (Poetry Foundation, Chicago)
This special Australian Poets edition of Poetry magazine was launched at the Sydney Writers’ Festival this year by the regular editor Don Share. Guest editor Robert Adamson spoke and a number of the featured poets, including several who were coopted from the audience, read to us. Who could resist buying a copy?
The magazine contains 28 poems by 20 poets, along with 18 beautiful photo portraits by Juno Gemes and two survey essays by Jaya Savige and Bronwyn Lea, plus a charming note on Robert Adamson by US poet Devan Johnston.
Where the articles, particularly Bronwyn Lea’s ‘Australian Poetry Now‘, struggle with the impossible task of giving the readership, presumably mainly from the US, an overview of the state of Australian poetry, the selection does something different: it’s personal, making no claims to be representative or definitive. It includes a wonderful variety in forms and concerns: narrative, lyric, prose poems, formal experimentation. The landscape and geography are well represented. There are cultural references – both to settler and Aboriginal motifs – that will set non-Australians frantically googling, but at last as much Biblical and classical reference.
It’s hard to generalise about a collection like this, and equally hard to single out individual poems. But here goes with a few:
- Ali Cobby Eckermann has two strong, plain-speaking poems, ‘Black Deaths in Custody‘ and ‘Thunder raining poison‘, the latter an incantatory response to a work of art about the effects of atomic tests on traditional lands at Maralinga.
- Samuel Wagan Watson’s prose poems ‘Booranga Wire Songs‘ and ‘A one ended boomerang‘ really sing.
- The first poem in magazine, Bonny Cassidy’s ‘Axe Derby‘, which plays tantalisingly on the image of a woodchopping competition
- Anthony Lawrence’s ‘My darling turns to poetry at night‘ is a richly complex villanelle, whose title doesn’t mean what you expect.
- Jaya Savige has fun with mangoes and anagrams in ‘Magnifera‘.
(The whole magazine is up on the Poetry Foundation’s website, so you can read it all on screen. All the links are to that website.)