Roxane Gay, Ta Nehisi-Coates, Yona Harvey and Rembert Browne (writers), Alitha E Martinez and Roberto Poggio (main artists) and others, Black Panther: World of Wakanda (Marvel 2017)
Ta-Nehisi Coates & Yona Harvey (writers), Scott Hanna (main pencils), Dan Brown (main colorist) and others, Black Panther & the Crew (Marvel 2017)
My resolve not to read any more superhero comics weakened when, soon after seeing Ryan Coogler’s fabulous Black Panther movie, I spotted these books written by, among others, Ta-Nehisi Coates, author of Between the World and Me, and Roxane Gay, who was a fabulous guest at last year’s Sydney Writers’ Festival. I bought them as a gift for the son who generally gives me comics – and read them first.
World of Wakanda comprises three origin stories of characters who I assume feature in the Black Panther series proper. There’s a permeating sense that the main action is happening between episodes of these stories or is yet to come. Occasional footnotes refer the reader to other comics. Oddly, even some of the key moments in Roxane Gay’s story, which is the longest and most interesting, happen off the page.
Without the in-house Marvel elements, Gay’s story is of a kind that’s banned from my (mostly Lesbian) Book Club: a Lesbian story in which the Lesbianism is not incidental to the plot. I’m guessing that for Marvel cult members the story will work as thrilling feminist subversion of the prevailing indiviualistic male domination. I can applaud that at a notional level, but meh, I’m not part of the target readership.
Black Panther and the Crew is another origin story. Again, as evidence that I’m not the target readership, I found the superhero elements a fairly repugnant intrusion into a story about African American politics. I was with Brecht’s Galileo: ‘Unhappy is the land that needs a hero.’ I also found it hard to follow at times, possibly because unlike proper Marvel readers I don’t recognise the superheroes who make up ‘the Crew’ (and before them ‘the Crusaders’) and almost certainly because my grasp of Marvel’s visual language is patchy.
Both books include advertisements for the three volumes of Black Panther: The World Beneath Our Feet, the main Black Panther story written by Ta-Nehisi Coates. Even if I don’t read those myself, I’ll keep an eye out so I can include them in my gift to my son.