Ian McPhedran, The Smack Track: Inside the Navy’s war : chasing down drug smugglers, pirates and terrorists (HarperCollinsAustralia 2017)
Dervla McTiernan, The Rúin (HarperCollinsAustralia 2018)
This blog post is an exercise in completism. I read The Rúin and The Smack Track last year but didn’t blog about them at the time for reasons I won’t go into. I want to make up for that omission, if briefly.
The Rúin is an excellent thriller/detective yarn set in Ireland, the debut novel of Dervla McTiernan, an Ireland-born writer who lives in Perth. An author’s note explains that the book’s title can be read in English, or can be given it’s Irish meaning: ‘In Irish, Rúin means something hidden, a mystery, or a secret, but the word also has a long history as a term of endearment.’ And that pretty much sums up the feel of the book: there’s a mystery to be solved – two murders decades apart – and a story of family love and commitment to be uncovered along with much darker secrets. It’s fast moving, and satisfyingly complex. The Galway setting is vividly real. I’m surprised it hasn’t been snapped up for a television series.
A second book featuring McTiernan’s garda Cormac Reilly is promised for March next year. I expect it will have me breaking once again my general resolution not to read crime novels.
The Smack Track makes me think of Trotsky’s warning: ‘You may not be interested in war, but war is interested in you.’ I was the boy in my primary school class who wasn’t interested in war comics. I was never into model war planes. I was a conscientious objector to the draft at the time of Australia’s military involvement in Vietnam. Ian McPhedran, by contrast, worked as a defence writer for The Australian for nearly twenty years. He has written six books, including this one, about aspects of the Australian armed forces, and has had extensive experience of being embedded with the military. Just the writer to help me out of my comfort zone.
This book isn’t about combat, but about the RAN’s extraordinary work disrupting the drug trade off the east coast of Africa. It includes first hand accounts of intercepts, including dramatic accounts of the dangers faced by the sailors on these missions. McPhedran, writing as an embedded writer, doesn’t swagger. If anything, he mocks his ‘landlubber’ status. His respect and appreciation for the men and women whose work he observes up close is contagious.
As I read The Rúin in 2017 I’m not including it as part of the 2018 Australian Women Writers Challenge. But it’s an excellent addition to the list of books written by Australian women, so I’ll mention it on the AWWC site anyhow.
I’m grateful to HarperCollinsAustralia for my copies of both books.