Tag Archives: Anaïs Nin

Erotica: the morning after

Having done a “before” post, I now feel obliged to do an “after”.

As it turned out we were all white, middle-aged, heterosexual and in long-term relationships. No one had much interest in discussing Anaïs Nin – most hadn’t been interested enough in Delta of Venus to read the whole thing, though one chap had read a second, similar collection of her dollar-a-page pieces, and another had read some of her diaries. Someone went to the trouble of saying he found some of it offensive. We decided she belonged to another era, and moved on. (Is there something of hers that you, dear reader, would recommend?)

It turned out that if I am timidly vanilla in my taste for erotica I was in a room of similarly minded souls. I did read the Kathryn Lomer poem, and people liked it. One of our number had assiduously ransacked his memory, the web (by googling “erotic poetry”) and the bookshelves at an auction down the road, and shared some gems he’s found. He read us a steamy encounter between Elizabeth Bennett and Darcy in Pride and Promiscuity : The Lost Sex Scenes of Jane Austen – we agreed that that’s probably a perfect read-aloud book for consenting adults. He played recordings of two marvellous poems, one from ancient Egypt and another incorporating a Native American story about a winged penis. He read, with some apologies, Charles Bukowski’s “Like a Flower in the Rain” (warning, that link includes anatomically correct four-letter words), in which one can only marvel at how one word can transform a poem. Someone mentioned the bath scene in The Reader. We talked a little about the early scenes in Silk.

We kept asking each other what makes something erotic rather than pornographic. Clearly our collective taste veered to the non-pornographic end of erotica. We agreed we like our erotica with a bit of wit, a lack of emphasis on the plumbing (though no aversion to it being named), a context, and a sense of minds being engaged.

Next meeting, Anna Karenina.

Erotica

Anaïs Nin, A Spy in the House of Love (©1954, Penguin 2001)
—-, Delta of Venus (©1969, Penguin 1978)
Alessandro Baricco, Silk (translated by Guido Waldman, The Harvill Press 1997)

Tonight at my book group (this is the all male one) we turn our collective attention to erotica. (Welcome everyone who found this entry via a google search.) A number of us had heard of Anaïs Nin, so we decided to go with a couple of her books, though there was an invitation to bring along a passage to read aloud from anywhere else. I’m posting this before the meeting.

810Of A Spy in the House of Love, the less said by me the better: not so much erotica as neurotica. The long, ecstatic paragraph near the start that ended ‘but only that one ritual, a joyous, joyous, joyous impaling of woman on a man’s sensual mast’ had me thinking that if that was erotica I’d happily do without it. Thankfully there were no recurrences.

Maybe I’m showing my age, but I can’t say I warmed to Delta of Venus, either, 0140184708which had lots of impaling. The most interesting thing about the book is probably the introductory pages, excerpts from Anaïs Nin’s 1940 diaries describing the way she and a swathe of her literary friends churned out erotica for a mysterious ‘Collector’ for a dollar a page.

Back in 1970 or so, there was a lot of anti-censorship activity in Sydney, including the publication of pornographic editions of student newspapers and “Porn Fests”, at which distinguished academics and undistinguished enthusiasts read rude bits from Henry Miller, Sam Shepard, John Wilmot second earl of Rochester, the Marquis de Sade and so on to crowded lecture theatres. It was all in a good cause – blows struck in the struggle for free speech – and some of it was funny, but overall it was squirm-making. Delta of Venus seems to me to belong in that context: it does contain some characters and narrative, but the ‘dirty bits’ are its raison d’être. Already dated in 1976 when Anaïs Nin decided to publish it, it reads as totally quaint now, quaint and vicious in its playing with paedophilia, incest, rape and so on. However, I did read it from cover to cover, so it clearly has titillation value. What I’ve realised is that if writing is to work as erotica for me, it needs to arise from a complex, recognisably human reality. Maybe we should have agreed to read Anaïs Nin’s diaries, where presumably she talks about more than who is doing what to whom with what.

1860462588I went to the theatre on Sunday with another group member, who was similarly unenthused by the Anaïs Nin books. Someone had recommended Silk to him, and he lent it to me with his recommendation. It’s a very short book, something of a fable about love and passion. Most of it is taken up with a slow-building sexual charge. Then there are a couple of explicit, erotic pages – which work because they’ve had 80 pages of build-up. Then the tale ends with a bitter-sweet twist that makes one want to re-read the erotic pages again …

At the moment I’m tossing up what read-aloud to take tonight: A D Hope’s ‘The Countess of Pembroke’s Dream’ perhaps, or Kathryn Lomer’s ‘Tentative love poem’, which begins:

Snow comes late; only the air
between our mouths is warm,
a microclimate in which whispered words
are storms building. Our skins catch

what little light is cast – mine reflects,
yours absorbs.