Tag Archives: Rich Tommaso

Jeff Lemire and others’ Black Hammer vols 5 & 7

Jeff Lemire (writer), Caitlin Yarsky (art), Dave Stewart (colorist) and Nate Piekos (letterer), Black Hammer Volume 5: Reborn Part I (Dark Horse Books 2022)
Jeff Lemire (writer), Caitlin Yarsky (art), Dave Stewart (colorist) and Nate Piekos (letterer), Black Hammer Volume 7: Reborn Part III (Dark Horse Books 2022)

When I wrote about Black Hammer Volume 4 (at this link) I thought it was the end of the story, but no, two year later in real life and TWENTY YEARS LATER in comics caption, along comes Volume 5, or Reborn Part I (monthly comics #1-4), closely followed by Volume 6 and 7, Reborn Parts II and III (monthly comics #5–8 and #9–12 respectively). Not only is superhero Black Hammer reborn, as his daughter Lucy reluctantly resumes the identity, but there is a new, female artist. Caitlin Yarsky’s distinctive artwork is every bit as dramatic as Dean Ormston’s in the earlier volumes, though I think the domestic elements of the story have taken on more weight

I was given Volume 7 as a Christmas gift. I hunted for the two earlier ones, but found only Volume 5. I’m resigned to never reading the middle of this trilogy, but I did enjoy the parts of the ride that I took part in, and Volume 7 does start with a recap of sorts.

Anti-God was defeated in the earlier books, and now he’s coming back, and multiple universes are about to be collide and be destroyed. In earlier books, the superannuated superheroes were put out to pasture in a kind of simulacrum of rustic bliss. Many of them turn up in this one, older, possibly wiser, or maybe something else. In the dizzying interplay of universes, the dead live again, the good become evil, the evil good – and some heartbreaking decisions have to be made. There are plenty of what you expect from a superhero comic: THWAKs, SHRIPs and THOOMs and svelte female bodies (always, mercifully, clothed), there’s also a lot of complex, even bewildering time shifts. The emotional heart of the story is Lucy having to choose between being a good mother and saving the universe. (A bit like E. M. Foster’s famous line in ‘Two Cheers for Democracy’: ‘If I had to choose between betraying my country and betraying my friend I hope I should have the guts to betray my country.’) Oh, she also has to resolve her daddy issues in a multiverse kind of way.

This is probably not the end of this Black Hammer series. The caption on the last page of Volume 7 reads, ‘The cataclysm has begun.’

The two pages 77* illustrate the books’ range of art and narrative style.

In Volume 5, there’s a more or less domestic scene, in characteristic muted tones.

‘Mom’ here is Black Hammer in her mundane identity. The pudgy middle-aged man, the children’s father, was once an aspiring super-villain. His superpower was pretty pathetic and when Black Hammer vanquished him she also won his heart. In a note, Caitlin Yarsky says his his ‘suburban dad look’ was partly inspired by the late Philip Seymour Hoffman. Lucy’s reluctance to rise to her son’s challenge is a micro version of her central dilemma.

Readers of previous volumes immediately recognise the quavery font in the final panel’s speech bubble: it’s the voice of Colonel Weird, whose entanglement in a time warp means that he lives in the ‘Para-Zone’ were he experiences all times at once. When he says something about the future, we know it’s true. This little speech bubble carries a huge narrative force, as the other characters’ response indicates.

Volume 7’s page 77 may not feature any SCRACKs or KRA-KoooOOMs (these come a couple of pages later), but it’s part of the luridly coloured epic story.

Yes, it’s lurid, but it is crystal clear.

Those upside-down buildings in the top part of the page are parts of other universes heading for this one. A convergence will spell major disaster. Digger is another former supervillain, now Black Hammer’s major ally. He is wounded and probably dying. The Doc is one of the completely good guys – at least this version of him is. The man with the goggles … no, it’s all too complex for a quick summary. And that approaching rocket ship is about to introduce a whole new level of complexity, as Colonel Weird makes another appearance, this time accompanied by multiple even weirder versions of himself.

I guess I’ll keep an eye out for Volume 8 – maybe it will hit the shops in time for my March birthday.


I wrote this blog post on land of the Gadigal and Wangal clans of the Eora Nation. I pay my respects to Elders past and present. After days of heavy rain, the heat is beating down, and the lizards are loving it.


My blogging practice is focus arbitrarily on the page of a book that coincides with my age, which is currently 77.

Jeff Lemire and others’ Black Hammer vols 3 & 4

Jeff Lemire (writer), Dean Ormston (pencils), Dave Stewart (colorist) and Todd Klein (letterer), Black Hammer Volume 3: Age of Doom Part 1 (Dark Horse Books 2019)
Jeff Lemire (writer), Dean Ormston (pencils), Dave Stewart (colorist) and Todd Klein (letterer), except for 46 pages with art, colour and letters by Rich Tommaso, Black Hammer Volume 4: Age of Doom Part 2 (Dark Horse Books 2019)

Early last December I announced that I didn’t want any superhero comics for Christmas. My second son’s alarmed expression made me think I’d spoken too late. But it turns out that he correctly intuited that the Black Hammer series was an understood exception. He knew I’d enjoyed the first two volumes of this series (though I doubt he read my blog post, here, which ended. ‘I’m patiently awaiting Volume 3’). Vol 3 was a Christmas gift from him, and I bought Vol 4 hot off the press.

Black Hammer isn’t so much a superhero comic as a commentary on them. In the first two books a band of superannuated heroes is on a weirdly unreal farm somewhere in rural USA: the last thing any of them remember is defeating the ultimate comicbook villain, the Anti-God. Everything looks normal, they have relationships with people in the nearby town, but they can’t leave. Black Hammer, their former leader, did manage to escape, but is now almost certainly dead. In the second volume, Black Hammer’s daughter Lucy, an investigative reporter, turns up but can’t remember how she got there. She finds her father’s fabulous titular black hammer, she wields it and becomes the all-new Black Hammer. In the final frame of Vol 2, she announces that she remembers everything and knows where they are and then …

… at the start of Vol 3, which is the beginning of the Age of Doom sequence, she vanishes, SHRACK!!

We follow Lucy/Black Hammer’s travels through weird meta-worlds incuding a version of hell and a mysterious castle called Storyland inhabited by characters who could be parodies of Neil Gaiman’s Endless. And we follow those left behind as they try to unravel the mystery. About halfway through this volume the bifurcated paths reunite and the mystery is solved. But the solution reveals that things are actually much worse than anyone imagined. At the end of this volume, a couple of frames after someone says:

without so much as a SHRACK!!, everything goes white.

[In case you’re interested, the characters in that frame are: Madame Dragonfly, mistress of the macabre; Golden Gail, a potty-mouthed adult frozen in an eleven-year-old’s body; Colonel Randall Weird, who knows past, present and future all at once and spends a lot of time on the Para-Zone (don’t ask); Abraham Slam, whose name says it all; Barbalien, Gay warlord from Mars; and Lucy/the new Black Hammer. Missing is Walky-Talky, the robot who intervenes at key moments.]

The next volume, the end of the Black Hammer series (apart from a number of spin-offs carefully adumbrated in this story, including Sherlock Frankenstein and the Legion of Evil), begins with 48 pages of art by Rich Tommaso, reminiscent of the comic book art of the 1950s and strikingly different from the moody heroic style of Dean Ormston in the rest. These pages follow the adventures of Colonel Weird in another unreal world, this one inhabited by ‘unrealised characters from never finished stories’. (You can tell the creators had a lot of fun with this story, and there’s potential here for any number of spin-offs.)

Meanwhile, the rest of the crew are back to normal life in Spiral City – a life where they have never been superheroes. One waits tables, one is a guard at the museum reading superhero comics, one is Gay in homophobic Martian society, and one is living with dementia in a nursing home. But thanks to the magic black hammer, a well-placed KRA-KOOM!!, and some intense recriminations, the original group is back together in time to face down one more threat to the entire universe.

I don’t think it’s a spoiler to say that it all works out in the end, in a ‘the end of all our exploring will be to arrive where we started’ kind of way, with a door left ajar for further adventures of Lucy/Black Hammer.

I enjoyed this a lot. It’s not part of the Marvel Universe or the DC Universe so you don’t have to be a cult insider to follow it and enjoy it. According to Wikipedia, Black Hammer’s crew are going to team up with DC’s Justice League heroes this year, and a film and or TV series is in development, but I’m happy to stick with this odd bunch as they are, in the page.)