Jennifer Maiden, Play With Knives Five: George and Clare, the Malachite and the Diamonds: a novel in prose and verse (Quemar Press 2018)
George Jeffreys and Clare Collins first met in the 1980s when he was a probation officer in Western Sydney and she was a young woman nearing the end of her prison sentence for murdering three smaller children when she was nine years old. They have since featured in four novels before this one, and in more than 30 poems, going on to become lovers, work together for an NGO called Prisoners of Conscience, and most recently have a baby together.*
In this book they set off to Russia to bring home the daughter of a friend who is in thrall to a murderous international operative. The young woman is an arms dealer in her own right, and it’s not at all clear that she wants to be rescued, although she knows her life is in danger.
The book has all the ingredients of a thriller: exotic locations, hacking, deep-state conspiracy, silicon-impregnated diamonds, helicopter rides, glamorous women, worldweary men, and an urgent sense of jeopardy both for the characters and for the whole world of the novel, which is recognisably ours, as conflict rages in Syria, Julian Assange is not yet extracted from the Ecuadorian embassy, and there are wars and the prospect of war from Russia, the Ukraine, the USA, China … There’s quite a bit of sexual tension and actual sex, lots of violence, and a satisfying twist at the end, with bonus explosion.
But if you picked the novel up expecting a straightforward political thriller, you’d be disconcerted. For a start, every second chapter is in verse – verse whose long lines and conversational rhythms may at first be mistaken for prose with unexpected turns of phrase and odd line breaks, but whose precision and visual qualities are anything but prosaic.
Then there are the characters. In their previous adventures, George and Clare have accumulated relationships. We rarely see them without their months-old baby Corbyn, and many of their scenes, even the most violent, are shared with some or all of their entourage: eight-year-old Florence whom they rescued from death in Paris, Florence’s mother Sophie, George’s hacker grandson Idris, a young Russian cop named Kirill and a Saudi agent, Samir. They frequently converse with Clare’s and Quentin’s mothers back in Mt Druitt, as well as a Darug woman, Ruth, behind whom lurks the shady but benign Lithgow Coven. A dog and a cat that were rescued from far-flung places in earlier books still need to be catered for. The memory of the children Clare killed is never far from her mind. Unsurprisingly, every now and then there is a roll call: ‘Present were Clare, Corbyn and I, Idris, Sophie, Florence and Ninel’ (page 30), ‘In a cafe near 1st Tverskaya-Yamskaya Street, I was sitting with Idris, Sophie, Florence, Ninel, Kirill and a Saudi agent called Samir’ (page 106). This is not a tale of a solitary individual hero; none of the characters needs to be told that humans are social animals.
Nor is the book populated by strong, silent types. There’s constant chatter – political gossip, poetry recitals, reminiscences about adventures in previous books, snippets of interesting history, commentary on world affairs, cultural analysis, meditation on moral and ethical issues. Thrillers are often impregnated with right-wing ideology. Not the George and Clare books. I confess that reading the book three years after publication, I’m mystified by many of its contemporary references – but maybe I would have been at the time. George and Clare are extraordinarily well informed, and have inside knowledge of many points of global conflict, thanks in part to their membership of Prisoners of Conscience, and in part to their creator’s extraordinary insight into international politics.
I often feel the impulse to read the start of a novel when I’ve reached the last page. Here’s the start of George and Clare, the Malachite and the Diamonds:
Clare was standing at the window in the saffron orchid, orange orchard light of the Mt Druitt December. She was in a smock-like translucent azure kaftan, and still a bit rounded by her recent pregnancy. She looked as innocent and preoccupied as a Vermeer wife, and was holding a letter to Silkie Roberts from Silkie’s daughter Quentin. This included a new photo of Schmidt and Quentin. Clare showed it to me. Schmidt was thinner since the recent stabbing-attack on him and was grasping Quentin’s shoulder with sharp, skinny, greedy fingers.
Does that make you want to read on? It did me. And it was a fun read.
* You can read my summary of George and Clare’s appearances up to 2016 here.
George and Clare, the Malachite and the Diamonds is the 16th book I’ve read for the 2020 Australian Women Writers Challenge.