Category Archives: Around Annandale

How not to reach the masses

Yesterday afternoon, in our customary sybaritic manner, Penny and I trotted off to a public lecture at the University of New South Wales: Deborah Cameron on the Myth of Mars and Venus. Since I blogged about the book on Thursday, and the lecture covered the same material, I won’t say much about the lecture here, except that I was fascinated to observe the way DC compressed the substance of the book to fit a one-hour time slot and reshaped it to fit her mainly academic audience. On the one hand (sadly) she left out most of the more colourful examples; on the other, with the help of a handout, she gave us a map of modernist and postmodernist takes on gender and language and of current challenges to the latter. One of the challenges she’s all in favour of, and in some ways amounted to the point of her book: it’s all very well to discuss linguistic diversity, but you have to include the concept of power as well. The other, which didn’t feature in the book, is the challenge from the recent renewal of arguments that differences between women and men are biologically based. ‘It’s no good,’ she said, ‘saying, “Oh not that old thing again. I thought we got rid of that in the 70s.” We have to engage with it. We may even learn something from it.’ In response to a question about the politics behind the resurgence of biological psychology, she was refreshingly blunt: “It’s the new academically respectable face of sexism.”

I was glad I’d read the book beforehand, because it equiped me to understand a lot of what got said during the Q& A at the end about gender as performance rather than something that simply exists in the real world. ‘I am completely free to decide how I speak, but I have no control over how I will be understood.’

There were 32 people there. I counted. About five men. Also sandwiches, red cordial, teabags and biscuits.

This morning, DC’s comments about the necessity of engaging seemed relevant to this spectacle:

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It’s Saturday morning, when this locality comes alive because of the Orange Grove Markets across the street. A coffee shop is doing a roaring trade jus a couple of metres from where I was standing to take the photo. People are  everywhere, and in a buying mood. But even when the Feminist Bookshop opens at 10.30, two hours or so after serious activity starts, its shop front is hardly inviting. Even if the permanent bars on window aren’t as paranoid as they seem, surely the frosting can only be read as deliberate discouragement of casual shoppers. Of course, there’s no reason a feminist bookshop has to court customers. But wouldn’t an invitation to engagement be a better look?

Truth in advertising?

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As typos go, I thought this was fabulous.

Corner Shop: development application

Here’s a sight that struck fear into my heart. After months of work, a development proposal has been lodged. Oh, as they say, noes! The whole thing has been skating on very thin ice and now it might be declared illegal.

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But closer examination revealed that the proposal is to have the number of outside tables increased ‘from four (4) to twenty (20)’. Incidentally, since I was about eight years old, I’ve wondered why notices from local councils and similar organisations do that with numbers. My mother explained to me that it’s so people who have trouble reading the spelled out version will be helped by the numerical version. I wasn’t convinced then, and now it just looks like ornamentation to indicate officialness.

I wrote off to Council expressing my support.

I had a brief chat the other day with Rod, the proprietor, who is looking slightly less harried though possibly more panicked with each passing day. He’s now chasing up suppliers, and said he was confident the grand opening would happen before 12 August.

My Place on our street: Mr Malaprop

As I passed the filming site just now, in the almost dark, they’d all but finished packing up. I had a short chat with the security guy. Excerpts:

Don’t let anyone tell you they don’t work hard. They’re here at five every morning…. You’ll like it when you see it.

Yes, I really liked the book.

If you read books you’ll have read Mayo’s Last Dancer. We made that last year. With Bruce Beresford, from Growing Miss Daisy.

I want to read that book, and see that movie: waltzing for the dressing, and raising a flower child.

Thank you for listening.

Corner shop: Foreshadowing

A little glimpse of what may be in store in the store:

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Transcription:

CALLING ALL ARTISTS

REVOLVER … a new inner city cafe opening soon wanting to give up and coming artists a place to show what they can do … Not just another cafe.gallery selling art.

ONE SPACE ONLY!!!! … 70cm x 100cm in beautiful old gilt frame that you do what you like and we showcase it for a month no cost to you showing your contact details. No other art in the place … just you 🙂

REVOLVER has a stunning Victorian/Hip hop flavour that is going to create a new space for locals to mix it up and relax, and wants yo give any artist wanting to get great exposure a chance …

Call Rod on [see image above] or

Email at rod at revolver dot com dot au

Brought to you as a community service

The corner shop: swish doors

This isn’t one of those paintings that looks as if it’s just a white canvas but turns out to be covered with tiny Arabic characters or the like. It’s a much poorer thing: a photograph by way of progress report on our corner shop that has been in the making for a very long time.

I noticed on my walk yesterday that the ply panels in the doors, which functioned as a chat board of sorts for while, allowing people to argue the merits of the mermaid and various bread suppliers, to exclaim about desirability of having coffee on our corner, those panels have been replaced by glass. And the glass, backed by white paper to hide the shop’s interior, is etched with a design whose mechanico-Victoriana lines echo the painted wall that an unphotographed sneak preview revealed to your blogger some time back.

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So, we have glass in the door. Can opening day be far behind?

Stay tuned.

My Place on our street

For a little while now, a clump of big white vans has been turning up a block or so along our street. Marquees have been pitched in our nearest pocket-handkerchief park. Bevies of young women in long skirts, lace-up boots and bonnets have been ushered across the road by what should probably be described as school-marms. Yes, someone has been shooting a period film in Annandale. My curiosity wasn’t particularly piqued. We may not be New York City, but over the years our suburb has contributed its bit to the big and little screens, and we may have become a little blasé.

Then on Wednesday this week a letter appeared in my mailbox from little leaf pictures indicating that the action was about to move closer to our house, and that there would be ‘stop/go traffic control’ between 8 in the morning and 5 in the afternoon today. But here’s the interesting bit:

We are producing a children’s television series to be screened on the ABC, called ‘My Place’, based on a book by Nadia Wheatley. [Each of thirteen episodes] tells the story of the changing physical and cultural environment of a Sydney suburb from 1888 to 2008, seen through the eyes of thirteen children (a decade apart) whose common element is the terrace they all live in.

I love that book. I bought it because I’d known Nadia when we were both a lot younger, and read it with Penny in a state of high excitement over a hot drink in a Glebe cafe: how much history, of class and colonisation in particular, was worked into its pages! I wept into my hot chocolate at the last page. It’s wonderful that it’s being made into a television series, though they seem to have decided to leave out the first 100 years, which will surely risk pushing it right out of shape. And I’m not sure that broad, leafy Annandale Street can really stand in for the narrow lanes of Newtown (or was it Redfern?) of the book.

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So I was out there today bloggerazzing.

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Sadly, on my morning walk-past all the action was inside the house. The black shrouded thing on the porch is a monitor and the people in the foreground seem to be keeping track with a vast array of tech gear.

The afternoon was marginally more interesting: filming was over for the day. One or two children were hanging about in pyjamas and dressing gowns, but such are the times that I wasn’t game to take their photos. The ABC’s press release mentions a dozen fabulous actors, but none of the ones I would recognise were in evidence. I did spot one elegant 50s housewife ducking into the costume van and she graciously posed for me:

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They’re filming all next week, but I can’t promise any more images. A man in a three mile jacket told me the series will be screening on the ABC in January next year.

A late spider

Most of the golden orb webs around my place are empty or torn down at this stage of our wet and chilly autumn. But this hardy specimen is still holding her own at the light rail stop, and seemed not to mind posing for my phone camera (and giving me a chance to figure out how to do images on WordPress).

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Dispatch from the corner store

A couple of days ago:

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Today:

Broken

You don’t make an omelette without breaking eggs.

Posted: Fri – February 20, 2009 at 07:45 PM

Lenten vicissitudes at the corner shop

Plywood structures have appeared at the corner. For a little while we saw them, and then again a little while, as it turns out, and we’re not seeing them: a guy with a hammer was taking them down again today. The reason for this seems to be partly bureaucratic hostility on the part of Leichhardt Council (who originally refused to grant permission for a balcony unless the shop owners paid to have the appallingly broken footpath repaired, but lost their case at the Land and Environment Court). But the bureaucracy can claim to be responding to a local outcry: it seems that a mysterious neighbour, hellbent on placing obstacles in the way of the approaching cafe, complained to the Council about having unpainted plywood adorning our corner. So the ply will be painted and put up again, and will stay there for a week or so as the balcony/awning is built.

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I can’t give you photos of the transforming interior, but there have been sneak previews, and I can tell you our new corner shop / cafe will have style. Revolver is to be its name.