Daily Archives: 11 April 2021

500 people: Week Eight

Continuing with the challenge to talk to 500 new people this year. See this post for the brief description of the challenge. We were on the road this week, and though I must have talked to strangers I didn’t start keeping track until half way through the week. Still, here’s what I’ve got:

  1. Thursday 5 April, late morning at the fabulous Gunyama Park Aquatic Centre, Ruby was holding back from the small water slide, not willing to challenge the cheerfully rough surges of older children. I protected one set of stairs for her a couple of times and she clearly loved the slide. In a lull, a small boy, hardly any bigger than her and not at all aggressive, came to the other set of stairs, and this was enough to make her back off. The little boy’s mother saw the problem and, after a little bit of explanation from me, asked Ruby’s name. We introduced the little ones to each other, and for a little while they did some parallel sliding – until the big ones came back.
  2. Thursday afternoon, while sitting for 15 minutes after receiving my first dose of AstraZeneca vaccine, I noticed that the man in the nearest chair had taken out his phone to photograph his documentation. I broke the prevailing silence to say what a good idea that was. He more or less grunted. I said something else inane, and photographed my document.
  3. Saturday morning, as we were walking by the Cook’s River, the Emerging Artist was expounding on the crucial importance of breath in competitive swimming as explained by her physiotherapist. My attention was grabbed by a woman and a roughly three-year-old little girl, who were doing something that involved a water bottle, sitting in the grass beside the path and some kind of cheerful negotiation. I said to the EA, ‘Sorry, I was distracted.’ The woman we were passing heard me, and asked, ‘By cuteness?’ That wasn’t a word that had been in my mind, but, well, she was right.
  4. & 5. Saturday midday, in a small art gallery in Chippendale having given up on the White Rabbit because of a huge queue, we heard loud conversation and laughter coming from a small room off the main exhibition area. It didn’t look like a private area, so we went in. Two people were standing in front of a photograph of a woman in a red skirt and heels (if you like, you could click on this link before reading on). ‘But because the background is dark,’ said a youngish woman, cheerfully browbeating a bearded man, ‘it could be lower than she is. She’s definitely about to jump.’ A quick look at the photo, and I could see what she meant: the woman in red was standing on the edge of a rail platform. The bearded man expressed good natured but definite disagreement. The youngish woman looked over her shoulder to include us, and said, ‘He’s the artist,’ which explained why there had been so much laughter. On closer examination we could see that the woman in the photo was actually standing in front of a newsstand – what we’d taken for railway tracks made much more sense as indistinct magazine racks. The artist, clearly delighted with the conversation, told us he had given up ever telling people where his photos were taken when someone was bitterly disappointed to learn that one of his images was created in Coogee and not, as she had thought, in Venice. As she left the room, the youngish woman called back over her shoulder, ‘Definitely Anna Karenina.’
    6. Saturday evening, arriving at what was to be a joyous and convivial book launch, I asked a young woman in a hijab if the seat next to her was empty. She said yes, and we had a brief conversation after I sat down. Basically I said we had the best seats in the room and she agreed. I almost asked her if she was a friend of the poet but opted for amiable mutual ignoring.
    7. Saturday evening a few moments later. A young white man (everyone under about 65 is young to me, apparently) asked if it was OK to sit in the chair on my other side. I was a lot less diffident with him. I asked him if he knew the work of the poet whose book was being launched. It turned out he had met her when she came to his school. She had become a mentor to him in his own poetry. We talked about the relationship between his poetry and his cherishing of his two young sons. I told him my anecdote about David Malouf saying that three-year-olds are the most interesting things in the world just now. And we chatted on pretty much until we were called to order.
    8. Saturday evening, after the readings, the signing queue was too daunting and I decided to take my book home unsigned. But instead of slinking off into the darkness, I stopped to speak to the launching poet’s father. I congratulated him on his daughter’s success and he graciously accepted my handshake. I asked an awkward question about how he felt about featuring or not featuring in her work, then faffed around until I managed to make it somehow amusing. He looked vaguely relieved when I said goodnight.

Running total is now 72.