Category Archives: Vicarious vainglory

Come one, come all!

The Art Student has an event this Wednesday evening and you are warmly invited. I know, it’s not smart to invite the Internet to anything, but I keep a close watch on my stats, and in this case the part of the Internet living within visiting distance who will read this amounts to maybe 25 people. So come one, come all!

It’s a small exhibition of recent work by three friends. The Art Student is presenting a sequence of 14 small pieces inspired by her mother’s ASIO files. The opening is this Wednesday 13 November 6–8 pm at the Oddfellows Hall, 51 Darling Street, Balmain.

invite ARK

 

SFF: Dendys etc

If you had told me 15 years ago when my Elder Brilliant Offspring was 20 years old that he and I would write a short film together that he would go on to direct, and that the film would be a finalist in the Dendy Awards … Well, you wouldn’t have.

Having Ngurrumbang screened at two sold out sessions at the Sydney Film Festival has been thrilling, but it’s been a joy beyond words to have worked on this project with him. I’ve learned a huge amount from the collaboration, and from his leadership of the crew, myself included.

I’m typing this on the phone during the opening speeches of the last night of the Festival. Maybe we’ll win something. Now I’m going to pay attention. I’ll tell you if we win or lose on the comments in a couple of hours.

Social Firefly at Wellington Lux

Sydney has Vivid. Wellington has Lux.

My son Liam Ryan and his collaborators Frank Maguire and Jason McDermott, have had installations in Vivid Sydney for three years now. This year they go international: Wellington Lux has invited them to bring their 2011 creation, Social Firefly, across the Tasman. It will be part of the Urban Alive exhibition in Wellington 21–24 June, and they will be speaking at a Symposium on Sunday 23 June. My Kiwi reader, if there is one, has now been given advance notice.

socialfirefly

Morphic Mirror at the Vivid Festival

Winter’s coming on in Sydney, with fog and bitter chills (bitter by Sydney standards – probably balmy if you’re from Saskatchewan). The Writers’ Festival is over and the Film Festival is more than a week away. But there’s Vivid to light up our nights.

The Opera House, Customs House and the MCA become screens for brilliant animation at 6 o’clock every night from last Friday to Monday week. I don’t think any of the three is up to the standard set in the last two years, but it’s still worth joining the crowds at Circular Quay each night for the spectacle. There are luminous spectacles along Macquarie Street, in Luna Park, and in Darling Harbour as well – I haven’t seen them yet, but the photos on the Vivid site are very promising.

Those are the big items. But the walk from the Opera House to the Rocks and down to Walsh Bay involves, I don’t know, hundreds of smaller scale light sculptures and installations. There’s an electric graffiti wall in a lane in the Rocks that has butterflies flying through rainforest – but all the foliage wilts and dies when anyone walks too close. There are myriad mirror balls in a Walsh Bay breezeway. There are enough interactive light-projecting set-ups to keep a family happy for hours.

And again this year, my brilliant son Liam and friends are part of it, with their creation, the Morphic Mirror. It’s a responsive funhouse mirror: hold your arms wide and the surface of the mirror contorts so that  your reflection broadens; wave your hands in the air, cross your arms over your body, and your image morphs in response. Like the Social Fireflies and Screaming Rapture of previous years, the Morphic Mirror has an intimate, human-sized feel, and as this video demonstrates is a real crowd pleaser, one person at a time.

Morphic Mirror is created by Frank Maguire, Jason McDermott and Liam Ryan.

There’s more to Vivid than the lights. Evidently there’s music and ideas as well. The lights will do me.

My two sons and friends

Have a look at this music video, directed by my elder son, featuring the Screaming Rapture of which my younger son is co-creator, music by a friend of them both.

If you saw the Screaming Rapture at last year’s Vivid Festival, you probably would have had no idea it was capable of the kind of complex responsiveness it shows here.

(If the embedding doesn’t work, you can see the clip on YouTube.)

Sonnet #11: For Naomi Grace

The Art Student and I have spent a long weekend away from activism and the desk respectively to help celebrate the first birthday of my great-niece Naomi. I didn’t manage a sonnet for the occasion, and that was just as well, as Naomi’s parents had devised a sweetly solemn naming and welcoming ceremony that was a complete thing in itself without any great-avuncular versifying. But November’s quota must be filled, so here’s one after the event:

Sonnet 11: For Naomi Grace
Naomi Grace has just turned one,
a girl who lives up to her name:
delightful, graceful – just as sun-
flowers the sun or moths the flame,
all faces follow where she goes
and stop when she’s in yoga pose.
Today at Cram’s Farm was her naming
ceremony: father Damon,
read aloud with mother Paula,
called on us to be her people
(rellies, friends, no church, no steeple),
and whatever might befall her
love her, back her each endeavour,
weep as needed, dance forever.

Which of these two looks more intelligent, would you say?

NSW Premier’s Literary Awards 2012

The shortlists for the NSW Premier’s Literary and History Awards were announced today, and the awards dinner will be on 30 November. I’ve been a fan of these awards for years, but this year it’s personal. My fabulous niece, Edwina Shaw, is in incredibly distinguished company on the UTS Glenda Adams Award for New Writing, for her novel Thrill Seekers. Much snoopy dancing and weeping for joy has ensued.

I couldn’t find the lists on the site of the State Library, which is administering the awards this year. The Sydney Morning Herald has them, here.

Apart from Edwina’s book, I’ve read two of the novels (blog posts here and here) and one of the non-fiction works (here), all with my book group. I’ve read one of the multicultural titles (here), and none of the poetry books, the children’s books or the ‘young people’s literature’. I’ve seen two of the three scripts (episodes of Rake and East West 101) and have no desire to see the third (Snowtown).

The Premier’s History Awards usually happen at a different time of year, but because of a general overhaul (not, Barry be thanked, a cancellation as in Queensland), the two lots of awards are happening at the same time for just this year. I haven’t read anything on the History Awards shortlists, though I do have one book beside the bed.

Added on 6 November: The shortlists are now up on the State Library web site, here and here. There are instructions there for how to vote in the People’s Choice Award.

The Art Student rallies the troops

Here’s the Art Student speaking to a meeting at NSW Teachers Federation Conference Centre last week about the imminent cutting of all funding to fine art education in TAFE.

Ain’t she something?

The latest from Scar

The first screening of Scar is months away but thanks to the wonders of the internet you can go to Vimeo, or click on the video here, for an update for the funding crowd, some behind the scenes shots and a moment from the movie:

As you’d expect a week or so after the shoot finished, the sound track for the tiny scene is incomplete. In fact, at this point of the film, a key narrative development is carried by sound that isn’t there yet. But doesn’t it look fine?

Last weekend

A quick update on last weekend:

1. Hungry for Art went very well. Hundreds of people attended the Open Day and DrawFest at The Gallery School. Here’s evidence:

Feeding the hunger. Photo by Kate Scott

2. The rushes for the film are looking good:

Photo by Jiao Chen, from http://t.co/M275N7nM

I wasn’t there for either event, and nor was the Industrial Designer. We’d both contributed, but were each busy with other, less bloggable, uncancellable things. All round, it was an excellent weekend for our family.