Edwidge Danticat (Haitian Creole pronunciation: ɛdwidʒ dãtika) is a Haitian-born writer whose first novel, Breath, Eyes, Memory, was published in 1994. Since then she has published other novels, short stories, children’s and Young Adult books, memoirs essays – a substantial body of work. Everything Inside, a collection of eight short stories, is the first of her books I’ve read, but I didn’t feel I was coming in late. Each of the stories is a fresh beginning, inviting the reader to enter into the lives, and in some cases deaths, of a newly-created group of characters.
Almost all the characters are Haitian immigrants to the US, or come from other Caribbean nations. The stories mostly focus on relationships among women, often but not always with men in the mix – a dying father, one corner of a love triangle, an ex who has suffered a terrible loss, a sexual exploiter, the prime minister of a small Caribbean island nation. (The least successful story, ‘Without Inspection’, is the only one with a man at its centre.)The women’s relationships cross generational and class barriers, so that what emerges from the stories taken as a whole is a complex picture of Haitian diasporic life. In ‘Hot-Air Balloons’, for instance, a young woman’s college non-Haitian room-mate goes on a working trip to Haiti where she sees at first hand the terrible suffering of poor women at a rape recovery centre in a poor neighbourhood of Port-au-Prince. The room-mate decides at first to quit college in order to volunteer for the non-government organisation that arranged her trip. The young woman who stays behind does so because she wants her first experience of her parents’ home to be of its physical beauty, not of its suffering people. The story is told with deep sympathy for both points of view, but in the end we are left with an aching sense of the gulf between the hard-won privilege of the protagonist and those women at the rape centre.
The 2010 earthquake looms as a backdrop to some of the stories. Poverty and corruption in Haiti and Miami, and the US’s immigration regime have devastating effects on people’s lives, but the stories complex human beings remain front and centre. As I read this book, I had at the back of my mind a quote from W E B Dubois in the ‘backmatter’ of the Afican-American comic series, Bitter Root (my blog post here):
All Art is propaganda and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
(Criteria of Negro Art, 1926)
If this book is propaganda, it lacks the stridency or sense of hidden agendas usually associated with that term. But my admittedly pretty uninformed guess is that W E B Dubois would approve of it as it asserts as reality that ‘black folk’ do love and enjoy as well as laugh, weep, make music, form unbreakable childhood bonds, and face difficult moral dilemmas.
When the recent earthquake struck Haiti, I’m sure I wasn’t the only one who was dismayed by the spectacle of poor Black people, sometimes visibly despairing, sometimes raging, being helped out by calm, compassionate Europeans and USers, usually accompanied by a narrative about Haiti’s lack of infrastructure and the international community’s concern – that is to say, a spectacle that seemed to confirm racist stereotypes: African heritage people emotional, dangerous, incompetent etc; European heritage people efficient, kind, well organised etc. I realised my ignorance about Haiti was vast: from Jared Diamond’s Collapse I knew that its part of the island of Hispaniola was an ecological disaster resulting from poverty and political corruption; on a good day I could have told you that Papa Doc and Baby Doc were vicious dictators named Duvalier; I was dimly aware that it was the home of voodoo, about which my main source of information was the novels of William Gibson and the obviously misleading zombies of popular culture. It wasn’t going to help the earthquake survivors, but I felt the need to do them the basic honour of finding out about them. This book was recommended by a friend.
Amy Wilentz, a New Yorker, first went to Haiti in 1986, as a journalist covering the last days of Jean-Claude Duvalier (Baby Doc) and his wife Michèle. She returned a number of times in the next couple of years and then moved there to live. The book traces events from the ousting of Jean-Claude to just before the elections in 1989: military coups, violent popular actions and non-violent demonstrations, two bogus elections, army-backed massacres, arson, random killings. It’s quite a story, and the there’s a great cast of characters: a Well Placed US Embassy Official (who gives Wilentz transparent disinformation), a senatorial candidate, a dark haired photographer (eye witness and near casualty of one of the massacres), and a host of Haitians: politicians, well off mulattoes, shanty-town dwellers, voodoo celebrants, artists, street children, and – who becomes the main protagonist – Jean-Bertrand Aristide. Aristide is a priest, a member of the Salesian order, who speaks out against oppression, becomes a figurehead for the popular resistance, and survives a number of attempts to kill him, discredit him or send him into exile.
The 1994 edition – which is what I have read – includes a foreword that briefly covers the intervening four or five years: Haiti had had its first genuinely democratic elections, in which Aristide was elected president by a huge majority. Aristide had been ousted by yet another military coup, US-backed like its predecessors, and was the subject of CIA-assisted smears. A quick look at Wikipedia tells me that the turbulence has continued.
Haiti was founded at the turn of the nineteenth century, the only nation to be born of a slave revolt and the first Black republic. Haitians fought off an invasion by Napoleon’s forces, and in effect saved North America from invasion, paving the way for the Louisiana Purchase. Not that this kindness has been acknowledged by the US: Haiti was invaded and occupied by US forces from 1915 to 1937, and continues to be dependent on US aid, which of course comes with strings attached. Reading this book makes the ‘donor nations’ look a lot less benign.
Because Wilentz actually lived in Haiti for some time, and developed relationships there, she can give a richly detailed account of life there. There’s a beautiful passage on Aristide’s theology, for instance (‘I believe the Resurrection is an ongoing process … In order to continue being a force, [the Apostles] had to believe that Jesus, their leader, was still a force. … In order to survive the shock of Jesus’ death, they imagined him coming and eating with them, the simplest thing, you know, the simplest human act, breaking bread together’). The narrative is sprinkled with linguistic pleasures in the form of frequent snippets of Haitian Creole: Aristide’s nickname was Titid, as in petit Aristide; I enjoyed teasing out the French connection in sentences such as, Se lè koulèv mouri, ou konn longé-l, which translates to English as ‘Only when the serpent dies can you take its measure’, and which I had fun figuring out would translate into French as something like C’est quand le coulèvre mourit, on connaît longer-le. The countryside, and the weather, come alive in frequent passages like this:
Smoke ascended from lean-to kitchens along the way. A truck piled high with charcoal bags rumbled by, stirring up dust. A peasant sat on top of the grey load, holding his machete; a piece of plastic was wrapped around his head against the approaching rains. The road twisted on; for all my travelling, I had not left Papaye far behind. I passed down a hill and through a small stream, where a great white pig was lounging on a rock, waiting for rain. Farther on, more people seemed to be about. Peasant men were standing at their doors, while the women made smoke in the kitchen. Two boys squatted in a yard, playing marbles.
She’s been there, and she does a good job of taking us with her. The book is firmly located in a particular moment in Haiti’s history, and the author’s understanding of the meaning of things has been challenged by subsequent events – in a recent op-ed in the New York Times, she herself refers to Aristide’s own ‘little-d Duvalierist tendencies’ as having contributed to the destruction of his presidency. But it’s not dated. Wilentz’s attention to detail, to the textures and smells and rhythms of daily life in Haiti make engrossing and illuminating reading. That post-earthquake New York Times op-ed piece concludes with a passage that possesses those same qualities:
This is what I saw as I traveled around the country on foot and on motorbike a week after the quake struck: families and neighbourhood groups putting up shelters; people cooperating with aid organisations to get food for their flattened neighbourhoods; teacher’s assistants hired by parents in the newly built shantytowns to teach and amuse children whose schools fell down (about 300 teachers at a conference died during the earthquake when their meeting hall collapsed). Men working in teams to remove reusable construction materials from the wreckage. Women sweeping debris from the roads with their graceful, primitive brooms. Young people caring for the wounded in makeshift clinics. Maybe utter destruction concentrates the mind. In these conditions, do-it-yourself democracy simply works best. The quiet president, operating behind the scenes with the international community, instead of strutting before the foreign press and claiming he’ll fix everything, is perhaps at this moment not such a bad leader for Haitian democracy, after all.
When you stand in the rubble of Port-au-Prince – so recently an affecting and even a heart-tugging city that functioned on a complicated, hypercharged fuel of chaos, exposed wiring, pig slop, smog, gingerbread turrets, hot cooking oil, rum, cockfights and bougainvillea – you begin to see that Haiti’s soul resides in its people. Out of this horror, maybe they will finally be released. That is, if the rains or another quake doesn’t stop them in their tracks.
‘Haiti’s soul resides in its people.’ That might look like easy rhetoric in the pages of a newspaper, but it’s not a bad six-word summary of what The Rainy Season carefully, passionately, intelligently ends up saying.
[Note: I’ve Australianised the spelling in the quotes.]
Image from Belvoir websiteFrom the opening moments in which a blindfolded older woman in a sari dances in silence on an almost bare stage, this is captivating. It's also epic, and feels necessary. It's a joy and a privilege to have seen it.
As a teenager I loved Charles Addams' cartoons in The New Yorker, and also what I saw of the original TV series. This series, about Wednesday's time at a boarding school that's like a dark parody of Hogwarts, gives the same pleasure. Tim Burton's direction is just right, and Jenna Ortega as Wednesday is perfect.