Tag Archives: Tad Tietze

Correspondence on Manne (no sonnet)

Quarterly Essay No 44 is just out. It may be a while before I get to read the essay itself, Andrew Charlton’s Man-Made World: Choosing between progress and planet, but I went straight to the pages up the back with correspondence about last quarter’s essay, Robert Manne’s critique of the Australian. In the past I have been glad that QE doesn’t include correspondence from the name-calling, straw-dog destroying, science-denying voices that dominate some other forums. This time it would have been odd not to have a contribution by someone from Rupert Murdoch’s empire – and indeed the discussion is kicked off by Nick Cater, editor of the Weekend Australian. He comes out fighting:

For thirty years or more, Manne has distinguished himself through his rare determination to exercise his intellect in the town square. There is no sign that he intends to relinquish his position as a public intellectual, but with this essay he has retreated further into the cloisters. He has become ever more abstract, aloof and contemptuous of his interlocutors. I mean no disrespect by suggesting that Manne needs to get out more.

Clearly he does mean disrespect. And so when the other correspondents make what might seem to be outrageous assertions and implications about the ethos of the Australian – that it is not a newspaper so much as an organ for political propaganda whose employees are in a state of denial that results in their responding like cornered beasts to any criticism, for example, or that it would be a good idea if they tried to represent accurately the arguments of people they disagreed with – there is a living, breathing example of the kind of thing they are talking about just a few pages earlier. Manne’s contribution or the correspondence is to thank the other correspondents and then attempt to extract the actual arguments from Cater’s piece, ignoring the abundant ad hominem elements, and counter them methodically. It’s a good read, though one is left with an uneasy sensation that Cater and Manne have widely divergent assumptions about what constitutes an argument.

It’s a pity that the correspondence doesn’t include anything from the left, putting the kind of position that Tad Tietze did on the Overland blog a while back. While appreciating the great service Robert Manne’s article has done us, among other things he laments Manne’s lack of analytical tools in relation o the media, gives a brief account of the Propaganda Model of the private media, and concludes:

Manne seems to believe that we’d have a better country if The Australian was somehow reined in, but this gets things the wrong way around. It is because things have gotten worse, and because elite hegemony has been unravelling, that we have been blessed with The Australian we have today. Better to stop obsessing about Murdoch’s apparent omnipotence and figure out how our side can more effectively prepare for the battles ahead.

Journals: Asia Lit Review 16 & Overland 199

Stephen McCarty (editor), Asia Literary Review Nº 16 ([northern] Summer  2010)
Jeff Sparrow (editor), Overland Nº 199 (Winter 2010)

Both these journals have been sitting on my desk for too long.  This is the first Asia Literary Review with Stephen McCarty as editor, which is not the hot news it would have been if I’d read it when it arrived months ago. With Overland, my tardiness is even more embarrassing – the  much awaited special 200th issue is being launched in Melbourne this weekend, making issue 199 so last season.

This is only the third issue of the ALR I’ve read, and as far as I can tell the editorial change doesn’t herald any major shift in direction.

This issue includes work from and about Thailand, Laos, China, Japan, Vietnam, Korea, Indonesia, India, Singapore, Hong Kong, Turkey, and their diasporas. Intergenerational tensions loom large in almost every piece. Two sayings, one Indian and the other Chinese, capture something of the tenor of that looming. In Sandip Roy’s ‘No Country for Old Women‘, reporting on government attempts to reunite families where elderly parents have been abandoned or abused, he comments:

Love, my mother always says, flows downwards. You can’t force it flow the other way if it does not want to.

The fading popular singer who narrates Stephen Hirst’s ‘It’s All in the Silhouette‘ quotes a ‘lovely Chinese saying’:

one generation plants the trees, the next gets the shade.

Story after story, some very good, deals with a parent’s love and sacrifice, a child’s obedience or resentment and rebellion. There’s an awful lot of pain – grandmothers with bound feet occur in more than one story, and there are a number of guilt-pricked young men living in the USA.

There are other subjects: Gary Jones reports on the Red Shirt encampment in Bangkok earlier this year; Jaina Sanga’s story ‘The Maharaja and the Accountant‘ is a tale of politics from the dying days of the Raj; and there’s a short essay by Tippaphon Keopaseut, ‘Looking for Laos‘. In this last, the writer explores the cultural traditions of her country, beginning with the shocking observation that ‘compared to the great nations of the world, Laos seems little more than an empty space’, continuing with savage wit to give a history of colonisation and concluding:

So, I continue looking for Laos. And if it doesn’t exist? I’ll just have to invent it. After all, isn’t that what writers do?

I hope that’s not just youthful braggadocio. Certainly it’s not the words of someone obliged to stay in shade that someone else has sacrificed their life to plant for them. (The full stories behind those links are available only to subscribers, sorry!)

If the Asia Literary Review serves to expand an Australian reader’s horizons, Overland helps one see more clearly what’s happening near at hand. The entire issue is, as always, available online, so it’s a bit ironic that the first item in the real-world version is ‘Driven to Distraction‘, in which Cate Kennedy inveighs persuasively against internet addiction. As soon as I’d read it, I opened the Twitter app on my iPhone and unfollowed @annabelcrabb, @andrewbolt and the other Tweeters whose witty observations had been delighting (and distracting) me since the election. My Twitter addiction is nipped in the bud. Thanks, Cate! All the same, as with many articles here, I did have a ‘Yes, but’ response: Yes, the internet is a distraction, but I hope not all blogging grows from ‘a compulsion that blunts our capacity for reflective, private contemplation’.

Sean Scalmer and Jackie Dickenson in ‘The March of the Insider‘ do a nice job of deconstructing the historico-journalism of Paul Kelly. I haven’t read any of his books, or indeed any insider accounts of Australian parliamentary politics, but I did recently read Mark Halperin and John Heilemann’s Race of a Lifetime, and this article’s shoe fits that book’s foot pretty well:

… the claim of political journalists to a special ‘insider’ knowledge might be considered an impediment rather than a spur to full democratic participation. The ‘inside’ requires an ‘outside’. The same rhetoric that elevated the journalist and the politician thereby also positions the voter as a perpetual outsider, sending the message that there is a separate political sphere of which they are not, and never can be, a part.

Yes, but isn’t it a whole other story when journalists, political or not, write books about issues such as the Tampa, the AWB scandal, or events on Palm Island?

Tad Tietze analyses the rise of the Greens as a party attractive to the left but with a complex relationship with left politics and left perspectives. Thomas Caldwell argues against the likes of Antony Ginnane and Louis Nowra who have recently been critical of Australian films en masse, with box-office takings as their sole criteria of success or failure. There’s a trio of articles that save from possible oblivion aspects of activist history: Zanny Begg discusses and illustrates political art and the counter-globalisation movement (yes, a tremendously interesting piece which I recommend, but isn’t it odd to discuss participatory art in terms that exclude people not trained in artspeak?); Michael Hyde’s memoir ‘Getting out of the Boat‘, gives the inside story of some key moments in Australian opposition to the Vietnam war; Seb Prowse talks to Iain McIntyre about the latter’s How to Make Trouble and Influence People (Breakdown Press, 2009) which deals with imaginative Australian protest, culture-jamming and graffiti from White settlement to the present.

And there’s literary stuff as well: short stories, poems, reviews, an engagement with the controversy around the PEN/Macquarie Anthology of Australian Literature and the new Cambridge History of Australian Literature.

I skipped the article on literary piracy, part of the Meanland project of exploring the implications of new technology for the written word. I know its important, but for now I’m very happy to get my literary journals in holdable, stainable, dog-earable form.