Tag Archives: board books

Ruby Reads (13)

When I started writing about books I’ve met thanks to my granddaughter Ruby, I hesitated to include more than one book by a given author. But there are authors who turn up again and again, so here are a couple of Julia Donaldsons and Doctor Seusses we’ve regularly been asked to read. But first, some read-alouds from Rhyme Time at the library.

Allie Busby, Feeding Time (Just Like Me!) (Childs Play Intl Ltd 2018)

This is a very simple book, with very simple illustrations, and flaps. It worked beautifully with under-twos at the library. The ‘just like me’ of the title evidently indicates a series it belongs to, and it’s also a refrain, as one lifted flap after another reveals the food an animal eats, and that food is also one that humans eat. The illustrations aren’t in the same class as Jim Arnosky’s Man Gave Names to All the Animals but the book’s sweet, unstrained assertion of human commonality with other animals is much more the kind of thing I’d want small children to hear.

Penny Dale, Ten in the bed (Walker Books 1990)

While Rhyme Time is primarily an event for small children, it’s also, something rare these days, a place where adults can enjoy singing together. One old thespian attends irregularly and behaves as I would like to – joining in the songs with unembarrassed pleasure and beaming appreciation of the librarian’s performance and of the children’s sometimes disruptive enthusiasm. This book lifted most of us to his level. The richly coloured illustrations are full of little jokes, and the text rings changes on the familiar song (each ‘one’ who rolls out is a different toy).

Doctor Seuss, Oh, the Places You’ll Go (1990)

I blogged about The Cat in the Hat and Green Eggs and Ham in pre-grandfatherdom days (the blog post is here). Both of them are still going strong as far as our family is concerned.

Oh, the Places You’ll Go is the last Dr Seuss book published in his lifetime. It’s weirdly abstract both in its geometric illustrations and its non-specific text, but it’s got the characteristic verbal energy and visual quirkiness that keep his books interesting (for me at least).

Doctor Seuss (text) and George Booth (illustrator), Wacky Wednesday (1974)

Originally written over the name Theo LeSieg, this has clearly been welcomed into the general Dr Seuss canon. It’s meant for readers older that 18 and a two-thirds months, but Ruby requests it regularly. It’s essentially a series of spreads in which the reader is invited to find out what’s wrong with the illustrations. The text provides a slender narrative thread and tells the reader how many wacky things they can find on each spread. It has no appeal for me at all, and I can’t tell what Ruby enjoys in it, given that her sense of what’s ‘normal’ is (I believe) still developing – why is it odd that one of the girls on the cover image has no legs but not odd that three identical girls, identically clothed, are walking and gesturing in unison? Such questions are purely academic.

Julia Donaldson (text) and Rebecca Cobb (illustrator), The Paper Dolls (Macmillan Children’s Books 2012)

I’m please to say that Ruby’s tastes and mine sometimes coincide. This book is an example, though I don’t know what Ruby finds interesting in it. A little girl has a chain of five paper dolls – Ticky and Tacky and Jackie the Backie and Jim with two noses and Jo with the bow – who have a string of adventures. Happily, the adventures involve a gigantic crocodile, thereby meetong one of our current preoccupations. If only they’d met a kookaburra it would have been a perfect book.

There are more books, and there will be more blog posts about them.

Ruby Reads III

Though Ruby likes to have the same book read to her over and over, she has still managed to accumulate quite a library, and casts her reading net wide. Here are some more titles from her bookshelf (and floor).

Michael Rosen & Helen Oxenbury, We’re Going on a Bear Hunt (Walker Books 1989)

Many people, in Australia at least, might be forgiven for thinking this is a spin-off from the Play School song with the same words, but I think I’m right in saying that the book came first. It’s a brilliant ear-worm of a read-aloud, complete with sound effects of grass, mud, forest and other obstacles that must be gone – not over, or under, or around, but through.

Jill McDonald, Hello World! Birds (Doubleday 2017)

I promise I’m not going to mention in my log every board book in Ruby’s collection. Let this one stand in for a dozen, including Cats and Kittens (a favourite).

It’s a thrill to be with a small child as she learns to turn the pages of a book, and to indicate which images excite her attention. This is a book that allows that to happen. (And there are plenty of board books that don’t judge their readership as well as this one.)

Julia Donaldson and Axel Scheffler, Monkey Puzzle (Alison Green 2009)

Here’s a terrific ‘onion book’ (thanks to Ann Knight Bell in the comments for the term). I love the fabulous drawings of the little monkey who goes looking for his mother, and the range of animals who don’t make the grade, and the wit of the text as each candidate has some feature of the mother, but none of the essential quality, finally revealed, that she must look like the little monkey. Ruby loves the book, but turns the page once that page’s candidate has been named.

Matthew Van Fleet, with photographs by Brian Stanton, Moo (Simon & Schuster/Paula Wiseman Books (2011)

Matthew Van Fleet has a whole string of beautifully produced, hefty picture books with pop-ups and moveable parts. This is the first one I encountered. There are also Dance, and Dog (in which a cat appears under the very last flap, and certain presenters of the book make sure it’s a very noisy appearance.)

HTML for Babies (Sterling Children’s Books, 2016)

I really don’t get this. The web description website says, ‘These concept books will familiarize young ones with the kind of shapes and colors that make up web-based programming language and give them the head start they need.’ (It seemed appropriate to leave the US spelling unchanged.) It’s impossible to read aloud, as nothing in it makes sense. I guess it’s for browsing and taking in the visuals

Margaret Wild and Ann James, Lucy Goosey (Little Hare Books 2008)

Oooh! Another perfect picture book. Ann James’s little geese (goslings doesn’t seem the right word) are very sweet, and the story about Lucy, who is enjoying her life but doesn’t want to go flying because it’s so scary, is suitably reassuring: in the end she finds the courage because her mother reassures her she will always be there. So far Ruby seems to like pointing at the pictures most, but I like the word ‘whiffling’, for the sound made by the wings of grown-up geese.

Lucy Goosey is the eighth book I’ve read for the 2019 Australian Women Writers Challenge.