Tag Archives: Dr Seuss

Ruby Reads (5)

First a disclaimer: Some of the books I list in these posts about Ruby’s books are obviously completely age-inappropriate. Those books don’t necessarily get read to her, at least not more than once, but I include them because I’ve encountered them in Ruby’s context and they are splendid in their own right, or for some other reason. A case in point is today’s first book.

Shaun Tan, The Red Tree (Lothian Books 2000)

A stunningly beautiful, surreal picture book that’s not for pre-schoolers, probably not for anyone younger than about 15, and definitely not for 15-month-olds. It begins with dead leaves floating in a grey environment and continues with an extraordinary evocation of depression, loneliness and an overwhelming sense of meaninglessness – all with glorious (if that’s the word) full-page images evoking that mood. The red tree of the title doesn’t turn up until the final spread, but when it does, it’s a brilliant game-changer. Shaun Tan is a genius, and I’m glad he and his books have cheered up since 2000.

Lucy Cousins, Maisy’s Traffic Jam (Walker Books 2007)

Maisie the Mouse came into being when my sons were already teenagers. I was vaguely aware of her as a phenomenon, having seen people in giant Maisie suits at children’s book fairs in the 90s, but this is my first actual Maisie book – one of more than 27 million in print according to Lucy Cousins’s Wikipedia page, Wikipedia doesn’t list it in her bibliography. It’s a concertina book, which we picked up in a street library, and unfolded in Ruby’s local park, to the delight of a random passing two year old – and Ruby. Lots of flaps to lift, and who doesn’t love a metre-long fold-out?

Rod Campbell, Oh Dear! (1983)

A classic lift-the-flap book. Only one of its flaps has been torn out so far. but that’s more a sign of Ruby’s restraint than of any quality of the book. The little boy has to find eggs, and goes through a gamut of farm animals until he remembers, and goes to the chicken coop where, splendidly, after the chook has been revealed, there further flap must be lifted to find two eggs.

Doctor Seuss, The Cat in the Hat Comes Back (1957)

I guess everyone knows that Dr Seuss (Theodore Seuss Geisel to his friends) invented the Cat in the Hat in response to a challenge to create an illustrated text that would help children learn to read. Serious literacy aid or not, the character has been pretty popular in our family, including when read to someone with advanced dementia. The Cat in the Hat Comes Back doesn’t have quite the level of terror and insouciance about breaking rules that the original has, but it’ll do. The original hasn’t turned up at Ruby’s place yet.

Sally Morgan and Kathy Arbon, Can You Dance? (Pan Macmillan Australia 2018)

A board book produced by the Indigenous Literacy Fund, its reason for being is even more worthy than The Cat in the Hat‘s, but it wears its worthiness even more lightly. The reader is asked if they can dance in imitation of a series of native Australian animals. While a lap read is quite pleasant, the book cries out to be read to a group of small people who can flap their wings like the angry magpie, stamp their feet like the wombat and so on, until the last page is pretty much a wild rumpus.

Can You Dance? is the ninth book I’ve read for the 2019 Australian Women Writers Challenge.

Books read to small visitors

Libby Gleeson and Freya Blackwood, The Cleo Stories: The Necklace and The present (Allen & Unwin 2014)
Libby Gleeson and Freya Blackwood. Go to Sleep, Jessie! (Little Hare 2014)
Doctor Seuss, The Cat in the Hat (©1957; Random House)
Janet & Allan Ahlberg, Each Peach Pear Plum (©1978, Puffin)
Doctor Seuss, Green Eggs and Ham (©1960; Random House)

We have just had two small people visiting for a week (along with their mother, my niece). Although the little girls were mostly busy making things and being generally fascinating company, they did like being read to, which meant that we had a chance to discover some new books for very young reader–listeners, and to revisit some old ones.

1gsjLibby Gleeson and Freya Blackwood won two of the Children’s Book Council of Australia Awards this year (Freya won a third, but for older readers), and we were guided by the CBCA in our purchase of new books. Their books are warm, affectionate celebrations of the intelligence of their girl protagonists. In Go to Sleep, Jessie! the heroine shares a bedroom with a baby who refuses to go to sleep and instead keeps her awake by crying loudly. The parents’ well-meaning attempts to solve the problem are unsuccessful, and she solves it beautifully herself.

1tcsCleo is a bit older, and her problems are of a different order. ‘Everyone’ at a friend’s party has a necklace, but her parents say she can’t have one until her birthday, which is a very long time away.  In a second story she has to decide on a birthday present for her mother. The problems are real, and the solutions clever.

Both books harbour understated challenges to the parents who will read them aloud many times: what do you think about consumerism, envy, tattoos or ‘controlled crying’, among other things?

039480001XAfter dinner one night the two little girls put on a ‘show’ that consisted mainly of vigorous physical movement and silly faces, but included audience participation in which we adults had to take our socks off and wave them about, and later take turns reading from The Cat in the Hat. The book was apparently chosen at random, but it was wonderful to see the concentration grow on the young listeners’ faces as the story progressed. (Two thirty-somethings ostentatiously took to their smart phones during the reading. Humankind cannot bear very much reality.)

1eppp

An ‘I spy’ book whose images turn out to tell a story. Hearing my niece read it to her daughters in a way that beautifully captured its music, I remembered again that the joy of reading excellent children’s books aloud is as much for the adults as for the young ones. And that’s true of books like this, that depend on the art for their full meaning.

Dr_Seuss_Green_Eggs_and_HamAnother Dr Seuss book. This one was referred to a couple of times as our almost-two-year-old was being resolutely negative (‘Would you like it in a box? Would you like it with your socks?’). Theodor ‘Dr Seuss’ Geisel makes it look easy, but to create books that beginning readers can manage that are also fun for the fiftieth – or should that be five hundredth? – time is the work of a genius.

There were other books – including a Snugglepot and Cuddlepie adaptation that leaves mercifully nameless both the revising writer and the simplifying artist. I tried to insinuate Where the Wild Things Are into the mix, but the little one, clearly recognising the book, rejected it as too scary.

aww-badge-2015Go to Sleep, Jessie! and The Cleo Stories,  are the thirteenth and fourteenth books I’ve read for the 2015 Australian Women Writers Challenge. I know they’re very slender, but it should count for something that I’ve read both of them at least four times in the last week.