Tag Archives: Libby Gleeson

Books read to small visitors

Libby Gleeson and Freya Blackwood, The Cleo Stories: The Necklace and The present (Allen & Unwin 2014)
Libby Gleeson and Freya Blackwood. Go to Sleep, Jessie! (Little Hare 2014)
Doctor Seuss, The Cat in the Hat (©1957; Random House)
Janet & Allan Ahlberg, Each Peach Pear Plum (©1978, Puffin)
Doctor Seuss, Green Eggs and Ham (©1960; Random House)

We have just had two small people visiting for a week (along with their mother, my niece). Although the little girls were mostly busy making things and being generally fascinating company, they did like being read to, which meant that we had a chance to discover some new books for very young reader–listeners, and to revisit some old ones.

1gsjLibby Gleeson and Freya Blackwood won two of the Children’s Book Council of Australia Awards this year (Freya won a third, but for older readers), and we were guided by the CBCA in our purchase of new books. Their books are warm, affectionate celebrations of the intelligence of their girl protagonists. In Go to Sleep, Jessie! the heroine shares a bedroom with a baby who refuses to go to sleep and instead keeps her awake by crying loudly. The parents’ well-meaning attempts to solve the problem are unsuccessful, and she solves it beautifully herself.

1tcsCleo is a bit older, and her problems are of a different order. ‘Everyone’ at a friend’s party has a necklace, but her parents say she can’t have one until her birthday, which is a very long time away.  In a second story she has to decide on a birthday present for her mother. The problems are real, and the solutions clever.

Both books harbour understated challenges to the parents who will read them aloud many times: what do you think about consumerism, envy, tattoos or ‘controlled crying’, among other things?

039480001XAfter dinner one night the two little girls put on a ‘show’ that consisted mainly of vigorous physical movement and silly faces, but included audience participation in which we adults had to take our socks off and wave them about, and later take turns reading from The Cat in the Hat. The book was apparently chosen at random, but it was wonderful to see the concentration grow on the young listeners’ faces as the story progressed. (Two thirty-somethings ostentatiously took to their smart phones during the reading. Humankind cannot bear very much reality.)

1eppp

An ‘I spy’ book whose images turn out to tell a story. Hearing my niece read it to her daughters in a way that beautifully captured its music, I remembered again that the joy of reading excellent children’s books aloud is as much for the adults as for the young ones. And that’s true of books like this, that depend on the art for their full meaning.

Dr_Seuss_Green_Eggs_and_HamAnother Dr Seuss book. This one was referred to a couple of times as our almost-two-year-old was being resolutely negative (‘Would you like it in a box? Would you like it with your socks?’). Theodor ‘Dr Seuss’ Geisel makes it look easy, but to create books that beginning readers can manage that are also fun for the fiftieth – or should that be five hundredth? – time is the work of a genius.

There were other books – including a Snugglepot and Cuddlepie adaptation that leaves mercifully nameless both the revising writer and the simplifying artist. I tried to insinuate Where the Wild Things Are into the mix, but the little one, clearly recognising the book, rejected it as too scary.

aww-badge-2015Go to Sleep, Jessie! and The Cleo Stories,  are the thirteenth and fourteenth books I’ve read for the 2015 Australian Women Writers Challenge. I know they’re very slender, but it should count for something that I’ve read both of them at least four times in the last week.

Gallery

NSWPLA Dinner, a report from the trenchers

Last year a woman premier presented the NSW Premier’s Literary Awards at the Art Gallery. Tonight a non-Labor premier, just as rare a beast in the 10 of these dinners I’ve been to, did it at the Opera Point Marquee, … Continue reading

NSW Premier’s Literary Awards Shortlist

The 2011 NSW Premier’s Literary Awards Shortlist seems to have been announced without the usual Macquarie Street gathering for PowerPoint and photo ops. That probably makes sense, given that the Premier has a lot on her mind just now, and barring a total windfall for the bookies she won’t be Premier when the awards are presented in May. Or maybe I just wasn’t invited this year. But I’m not bearing a grudge, and I was busy that day anyhow. For those who find it irritating to have to flick back and forth to read the different short lists on the Awards site, here they all are at the bottom of this post – the links take you to the NSWPLA website’s discussion of the title.

I haven’t read, or in the case of the plays seen, very much from the list at all. Speaking from the heart of my prejudice, I don’t much want to read any of the Christina Stead titles except Utopian Man and Night Street, both novels about eminent Victorians (the State rather than the era). I’m tempted by all the Douglas Stewart titles – this is where literary awards really do serve a purpose, by drawing attention to books like Tony Moore’s history of political prisoners among the Australian convicts, Death or Liberty, which might otherwise have gone unnoticed, at least by me. I’m glad to see Jennifer Maiden’s book on the Kenneth Slessor list, but I haven’t read any of the others. In the past the NSWPLA lists have led me to interesting poets, so I’m inclined to go in search of Susan Bradley Smith, Andy Jackson, Jill Jones (of whom I’m ashamed to say I’ve yet to read a book), Anna Kerdijk Nicholson and Andy Kissane.

Of the remaining lists, what can I say? I’m out of touch with writing for ‘young people’ (a term I understand here as designating teenagers), but my friend Misrule was an Ethel Turner judge, and I’m confident in her judgement. Though I’ve only read one from the Patricia Wrightson list,  I know the work of five of the six writers, and will be delighted whichever of them becomes several thousand dollars richer come mid-May. If the other books are as good as The Three Loves of Persimmon, it’s a vintage year. I’ve seen four of the six scripts produced for the big or little screen, and wouldn’t know how to choose between them for excellence – another vintage crop. I heard Ali Azadeh read from Iran: My Grandfather at last year’s Sydney Writers’ Festival, and it’s been on my TBR list since then.

Here are the lists:

The Christina Stead Prize for Fiction
Peter Carey – Parrot and Olivier in America
Stephen Daisley – Traitor
Lisa Lang – Utopian Man
Alex Miller – Lovesong
Kristel Thornell – Night Street
Ouyang Yu – The English Class

The Douglas Stewart Prize for Non-fiction
Malcolm Fraser and Margaret Simons – Malcolm Fraser: The Political Memoirs
Anna Krien – Into the Woods: The Battle for Tasmania’s Forests
Tony Moore – Death or Liberty: Rebels and Radicals Transported to Australia 1788-1868
Ranjana Srivastava – Tell Me The Truth: Conversations With My Patients About Life And Death
Maria Tumarkin – Otherland
Brenda Walker – Reading By Moonlight: How Books Saved a Life

Kenneth Slessor Prize for Poetry
Susan Bradley Smith – Supermodernprayerbook
Andy Jackson – Among the Regulars
Jill Jones – Dark Bright Doors
Anna Kerdijk Nicholson – Possession
Andy Kissane – Out to Lunch
Jennifer Maiden – Pirate Rain

Ethel Turner Prize for Young People’s Literature
Michelle Cooper – The FitzOsbornes in Exile: The Montmaray Journals – 2
Cath Crowley – Graffiti Moon
Kirsty Eagar – Saltwater Vampires
Belinda Jeffrey – Big River, Little Fish
Melina Marchetta – The Piper’s Son
Jaclyn Moriarty – Dreaming of Amelia

Patricia Wrightson Prize for Children’s Literature
Jeannie Baker – Mirror
Libby Gleeson and Freya Blackwood – Clancy and Millie and the Very Fine House
Cassandra Golds – The Three Loves of Persimmon
John Heffernan – Where There’s Smoke
Sophie Masson – My Australian Story: The Hunt for Ned Kelly
Emma Quay – Shrieking Violet

Community Relations Commission Award
Ali Alizadeh – Iran: My Grandfather
Anh Do – The Happiest Refugee
Maria Tumarkin – Otherland
Ouyang Yu – The English Classm
Yuol Yuol, Akoi Majak, Monica Kualba, John Garang Kon and Robert Colman – My Name is Sud

UTS Glenda Adams Award for New Writing
Stephen Daisley – Traitor
Ashley Hay – The Body in the Clouds
Lisa Lang – Utopian Man
David Musgrave – Glissando: A Melodrama
Kristel Thornell – Night Street
Gretchen Shirm – Having Cried Wolf

Play Award
Patricia Cornelius – Do Not Go Gentle…
Jonathan Gavin – Bang
Jane Montgomery Griffiths – Sappho…In 9 Fragments
Melissa Reeves – Furious Mattress
Sue Smith – Strange Attractor
Anthony Weigh – Like a Fishbone

Script Writing Award
Shirley Barrett – South Solitary
Glen Dolman – Hawke
Michael Miller – East West 101, Season 3: The Hero’s Standard
John Misto – Sisters of War
Debra Oswald – Offspring
Samantha Strauss – Dance Academy, Episode 13: Family