Tag Archives: Sarah Gibson

Cate Kennedy’s taste of river water

Cate Kennedy, The Taste of River Water (Scribe 2011)

When Cate Kennedy read, marvellously, from this book at the Sydney Writers’ Festival, she talked her poems as meditations through narrative, and that’s a nice description. Her poems generally have a narrative thread, whether it’s the story of the woman who wins second prize in a photography competition in ‘8 x 10 colour enlargements $16.50‘ or the moving hand of a baby at the breast in ‘Dawn service’.

Mostly this is no-frills poetry: very little by way of formal rhyme schemes, and even less prosodic adventure – no clever enjambement, uncanny syntax, esoteric allusion. Almost universally, the cadences and imagery are those of conversation, sometimes intensely intimate but always intelligent, generous and emotionally engaged. There’s an attention to fleeting moments, to things easily overlooked: a tight smile, a gesture accidentally caught on camera, a detail from a larger narrative, a parent’s childhood memory, a tiny act of wanton cruelty. These become the subject for meditation, their meanings explored. Many of the poems can be read as reflections on art and communication, though the immediate subjects range from the laying  of a brick path to being caught in a rip, and include a locust plague coming to the city, a little girl dancing in a square of sunlight, or the auction of the contents of a deconsecrated church.

What I wasn’t prepared for was that the sixteen poems in the second section of this book constitute what Frank Moorhouse used to call a discontinuous narrative: each poem stands alone, but there are lines, even words (a throat-tightening ‘again’ in ‘Thank you’, for instance) that gain tremendous force from their place in the sequence. Although it’s in many ways a very different beast, I was reminded of Sarah Gibson’s wonderful short lyric film The Hundredth Room.

Cate Kennedy read some of the poems and chatted with Ramona Koval on the Book Show on 19 May. It’s worth a listen, but be warned that the conversation reveals quite a lot about Section 2. Not that there’s a twist to the tale or anything of the sort – but there’s something to be said for letting a narrative reveal itself to you rather than approaching it with foreknowledge.

Re-enchantment coming soon

No time to blog. No time to catch up with emails. Moving house. All is well. Probably.

I’ve just sat down to my email for the first time in days, and found notice that my friend Sarah’s brilliant, interactive web site, Re-enchantment, is to be launched in March. There’s a three minute trailer on the ABC site. I can’t embed it, sorry, but do click on the link.

The official launch will be at the Adelaide Film Festival at the Palace Cinema on Wednesday 2 March at 5.00pm –  a free event open to the public. The website will go live on the ABC that same day.

The Australian Centre for the Moving Image in Melbourne will host a two-day Re-enchantment Symposium on Thursday 10 and Friday 11 March 2011, called Fairy Tales Re-imagined: From Werewolf to Forbidden Room.

There will be Sydney launch on the evening of Thursday 24 March at the Surry Hills Library.

Coming soon to ABC on the web

An exciting bookmark: Re-enchantment, coming soon to abc.net.au/re-enchantment (the link isn’t dead, it’s just not live yet). It’s an interactive documentary about the hidden world of fairytales by Sarah Gibson. If you haven’t heard about it before, you heard about it first here.