Tag Archives: doggerel

November Verse 12

When you’re casting about for a subject suitable for rhyme and a deadline has just whizzed past, there’s always the TV news.

November Verse 12: 
Pauline took some journos diving
with senators and camera crews.
She said the Reef will soon be thriving:
so much for the lying views
of scientists and their self-serving
leftwing UN undeserving
dupes; if you dive deep enough
you’ll see that coral’s much more tough
than warmists claim. And here’s the kicker:
the ABC led with this story
and called it news, dragged out a hoary
beige-clad chap to contradict her.
A joke? But headlining this prank
makes other ‘sceptics’ seem less rank. 

Southerly 76/1 & November Verse 7

Elizabeth McMahon, (nominally) David Brooks and (actually) Hannah Fink (editors), Southerly Vol 76 No 1 2016: Words and Music

s761.jpgSoutherly is the journal of the English Association, Sydney. It generally includes a number of articles of interest to the semi-mythical ‘general reader’ as well as refereed papers meant mainly for academics. This music-themed issue is happily skewed toward those of us who identify with the semi-mythical.

The guest editor, arts writer Hannah Fink, has prevailed on a number of music professionals to write about their art and craft, and their relaxed and illuminating essays form the heart of the journal. Lyricist Hilary Bell’s ‘My Life in Lyrics’ starts out as a charming showbiz memoir and develops into a lucid communications of lessons she has learned about writing lyrics for musical theatre, winning points from me by referring to Stephen Sondheim’s magisterial Finishing the HatComposer Phillip Johnston’s ‘Wordless! Music for Comics and Graphic Novels Turns Time Into Space (and back again)’ may go into too much detail about the creation of a collaborative work with comix artist Art Spiegelman but I for one certainly hope to see the work some day. Jazz player and radio program host Dick Hughes, in ‘Jazz at the Pearly Gates’, imagines a number of brilliant jazz performances that might have happened, and allows us painless enjoyment of his great erudition.

Among the other non-fiction, there’s much to enjoy. David Brooks in ‘Herd Music’ speculates that music may have its deep origins in sounds like those a flock of grazing sheep might make. Joseph Toltz gives us a glimpse of compassionate research with Jewsih Holocaust survivors, in a number of anecdotes about the first music a number of people remember hearing after liberation.

There are short stories. Gareth Hipwell’s ‘Whatever Was Eating Whatever It Is That’s Eating The Trees’ is a brief celebration of a the way a man of an older generation has with the language. Colin Varney, whom I think of as a writer for children, definitely has mature readers in mind in ‘Zigazig-uh’, in which the narrator is a love song keeping a slightly snarky eye on the effect it has on a select group of humans.

And there’s poetry by Jill Jones (‘The Glass’), Matthew Wallman (two poems from ‘Inland Sea Poems’, a sequence about explorer Charles Sturt), Partrick Jones (‘Buladelah-Boomerang Point holiday song cycle’, whose odd typography has the welcome effect of slows one’s reading right down), Luke Fischer (the ekphrastic ‘Madonna of the Goldfinch’), and a wealth of others.

I usually skip reviews of books I haven’t read, but those of Toby Fitch’s The Blooming Notions of Other & Beau and Chris Edwards’s’s Sonata , books of deliberate mistranslation from French and German respectively, inspired me for today’s November verse: a ‘translation’ of a stanza chosen at random from Pushkin’s Eugene Onegin, which is in Russian, which I can’t read even though I’ve happily been attempting to write Onegin stanzas for years now. It turns out to be harder and more fun than I expected. Here is what I’ve managed, a nonsensical shadow of the achievement of those books and others like them:

November Verse 7: Worse than Google Translate
Go near me, freshen my loo, charm me.
Soak crusty gore, use a cigar.
Speak sharply, mutiny, rush army.
Nah! Ptoo! Play on your guitar.
You Lib boy – yes, no! – you prop-odour,
Squeeze on, stretch it, you true goader.
See nigh a blush – cute? Nay, bizarre.
Eschew the prozac. No lay star
Brought cake to puke-home-selling – eye it!
Chill as I darn your pulley, boy;
let it upskill your foxy toy.
Do line your socket, pests will try it.
Tada! Shoe, mat and solo way
You spell. Be small VE, not Che.

For anyone interested and/or capable of reading Russian, here’s the original, Book 7, Stanza 1 (and you can click here for more):

Гоними вешними лучами,
С окрестных гор уже снега
Сбежали мутными русьями
На потоплённые луга.
Улыбкой ясною природа
Сквозь сон встречает утро года;
Синея блещут небеса.
Ещё прозрачные, леса
Как будто пухом зеленеют.
Пчела за данью полевой
Летит из кельи восковой.
Долины сохнут и пестреют;
Стада шумят, и соловей
Уж пел в безмолвии ночей.

November Verse 5

First an embarrassing memory, and then a slightly less embarrassing piece of verse.

The memory: in 1970 I was an English Honours student at Sydney University and had no idea how ignorant I was. James McAuley, then one of the Grand Old Men of Australian poetry, had a new book out, Surprises of the Sun. One of its poems, ‘In the Twentieth Century’, begins: ‘Christ, you walked on the sea, / But cannot walk in a poem, /Not in our century.’

To my mind he was clearly mistaken, so I wrote him a letter, in which I pointed out his error and as proof transcribed the second stanza of Leonard Cohen’s ‘Suzanne’, which begins, ‘Jesus was a sailor and he walked upon the water’.

McAuley didn’t reply, and presumably the letter itself has long since ceased to exist, but my brain has refused to eliminate the memory.

And the verse:

Verse 5: … about it all again
No drunken midnight choir sang me to
sleep. I heard no secret chord.
The room filled up with one mosquito,
and no sweetness was restored.
Adam’s long since left the garden.
Home he’s gone without a hard-on.
Break the bugle, skin the drum –
democracy is yet to come.
He’s danced us to the end of living,
leans no longer for Suzanne
or sea-and-shoreline Marianne.
Say goodbye to Leonard leaving.
So much light came through his cracks
and gave our griefs their music tracks.

Helen Garner’s Everywhere I Look and November Verse 3

Helen Garner, Everywhere I Look (Text 2016)

1925355365.jpgI’ve recently been surprised to hear a number of people refer to Helen Garner as ‘one of our great writers’. My surprise doesn’t come from disagreement. It’s just that hers isn’t writing that invites one to bow down in the presence of greatness. She’s less a Great Dane (or Grande Dame) making magisterial pronouncements than a terrier who keeps on at her subject until it yields some truth, her truth. She passes judgement often enough, and definitely enough, but not dogmatically, and not looking for a stoush either, but ready in case one comes along. A striking feature of Sotiris Dounoukos’ movie of Joe Cinque’s Consolation is the absence of the book’s persistent questioning – so when the end titles announce that, against the strongly implied judgement of the previous 90 minutes, one of the real-world characters was exonerated by a real-world jury, one tends to simply distrust the movie. When the book calls that verdict into question, you can disagree, but you can’t honestly dismiss it out of hand: the judgement has been honestly, and I would say humbly, worked for. (Perhaps its relevant that some of the harshest critics of Garner’s The First Stone refused to read it, or so I’ve been told.)

One of the pieces in this collection is titled ‘While Not Writing a Book’. That could have been a working title for the collection as a whole. It and a couple of others, including ‘Before Whatever Else Happens’, are presented as excerpts from the writer’s diaries/notebooks: overheard snippets, chance encounters, family moments, brief reflections. Another writer might have called them flash fictions or prose poems. Other pieces are more sustained: the product of a week locked away with CDs of Russell Crowe movies; reviews; sketches from the courts; wonderful pieces on her friendships with Jacob Rosenberg, Tim Winton and Elizabeth Jolly; glimpses of family life with grandchildren and, once, a dog; a revisit to her relationship with her mother; reflections on the ukulele, the ballet, suburban life; and more, enough to keep her readers interested between This House of Grief and whatever big thing may happen next.

Everywhere she looks and listens, from conversations about farting with small children to a teenager who has bashed her newborn baby to death, Garner finds stuff for her mind to grapple with, and she knows how to communicate the grappling with grace and vigour.

And now, because it’s November, a versification of one of the diary entries (see page 85 for the original):

Verse 3: At a conference
Supreme Court Judge and Helen Garner
chatted over tea and dip.
‘My home,’ the judge said to the yarner,
‘was once the scene of Monkey Grip,
your novel, and we’re renovating.’
‘My novel, and some devastating
and elating life. But how
do those old rooms look to you now.’
He listed them: ‘… and one so dinky
my daughter’s desk was there before.
It’s soon a bathroom, nothing more.’
‘The one with wooden shutters?’ Inky
flash from hippie days divine:
‘That tiny room was [humbly] mine.’

AWW2016Everywhere I Look is the twelfth book I’ve read as part of the 2016 Australian Women Writers Challenge.

Limerick elegy

In honour of possibly the most loved tree in Sydney and scholars everywhere who worked for their higher degrees and never besmirched whole academic disciplines:

The old jacaranda has died.
It witnessed the senate decide
to give Howard, John
a PhD (Hon)
and died from the wound to its pride.

Click on the image if you need an explanation.

Cv5rwkcVIAATzQj.jpg

The Farewell: Part Two

Concluding my versification of Tony Abbott’s farewell address. Click here for the first instalment, and here for  video of the speech on the Guardian’s site.

The Farewell (Part Two)
Video 3:11–3:36
‘I’m proud of what we’ve done against the odds.
stayed focussed right until the white-ants’ coup,
though we’ve been men, and women too, not gods
walking the earth, not perfect. Very few
can meet all expectations. [We poor sods
of course have trampled on a life or two,
protected child abusers, bent the knee
to Murdoch – yes, we’re only human, see?
]

Video 3:37–4:28
‘Politics has changed since I’ve been in it.
Commentary’s hijacked by the trolls.
Soon we’ll have a new PM each minute,
and each one sacked by colleagues spooked by polls.
It must affect our country. I’m agin it.
Don’t help self-serving traitors reach their goals,
O Media, stop conniving with dishonour:
don’t be the knife that’s plunged into a goner.’

‘[For me the press has been more like a bludgeon
– there’s Bolt, Jones, Hadley, Sheridan, Devine
and Photoshopped front pages, all high dudgeon
my office leaks, no treachery of mine
but acts of war. A pintle to my gudgeon,
the press that serves my higher ends is fine.
But steady now, I mustn’t lose my head.
Stick to the script and leaves such things unsaid.]

Video 4:30–5:32
‘I must thank many. First my family
[spot who’s missing from this paragraph],
my Margie for her grace and dignity,
my party, the armed forces, and my staff,
devoted to our country – Oh malignity
with which their chief was savaged. That’s no laugh.
I thank my country [’Tis of thee I sing]:
for being asked to lead is no small thing.

Video 5:32–6:12
‘My maiden speech, I quoted Holy Writ,
the text for the first sermon in this land:
“What shall I render to the Lord … ?” I quit
the top job, knowing I can proudly stand
and say I’ve rendered all. [If modesty permit,
I’d say my all was really rather grand,
and could have been much more with loyal ranks.
]
I love this country still. God bless it. Thanks.’

Video 6:12–6:15
No weepie script, and read like hard De Niro:
a man for others, no tears on display.
With furrowed brow, a classic Western hero
he turns and does a John Wayne walk away.

Go little poem, I hope worth more than zero,
to mark the very end of one man’s sway.
I’ve added frills to feed my rhyming habit,
but most of what you see is true to Abbott.

Tony goes

the searchers

The Farewell: a versification

On Tuesday 15 September, Tony Abbott gave his final statement to the press as Prime Minister of Australia. Video here. Having rendered Alan Jones and Scott Ludlam into verse, I feel obliged to give Mr Abbott a go. Here’s Part One of what I expect to be two parts:

The farewell
Kings and queens must die before the toast
‘Long live the King or Queen!’ is raised by folk,
but prime (and lesser) ministers can coast
from office still alive – and far from broke.
A vote is not a dagger. At the most
a mobile phone lurks in the plotter’s cloak,
and though the headlines say blood’s on the floor,
in Canberra that’s mostly metaphor.

Video 0:00–0:05
So Monday night last week, when overthrown
by secret ballot in the party room,
our ex-PM, his face as grim as stone,
went to a drunken party, not a tomb,
took fourteen hours to face a microphone.
12.30, puffy eyed beneath the boom,
he started with a frail attempt at cheer:
‘Quite-a-crowd today. Thank you for being here.’

No more ad libs. The rest came from the script
that someone had prepared while we were sleeping
and doing all the morning things he’d skipped,
or so it seemed: there may have been some weeping.
It wasn’t life-or-death, but if he slipped
he’d set a ruthless Twitter chorus cheeping.
This was a chance to dignify his exit,
to bare his statesman muscle and to flex it.

Video 0:05–0:45
‘For many here this is no easy day.
Such things are never easy for our country.
I pledge to make it easy as I may:
not wreck, snipe, undermine [my style’s effrontery
and swagger]. Leaking’s never been my way.
It’s only for our country’s good I’m hungry,
and our government’s success [not my successor’s
whom I won’t name, still less my predecessors’].

Video 0:45–1:16
‘I’ve said the top job’s no end in itself.
It’s all about the people whom you serve.
From Uluru to Continental Shelf,
this country’s wonder, more than I deserve,
I’ve seen. I want to thank [a humble elf]
the voters for this honour. [Oh the nerve
of those who took it from me!] This day’s tough,
but: join the game, play by its rules, they’re rough.

Video 1:16–1:54
‘I’ve held true to what I have believed.’
His head bobs there, a curtsey of the mind.
‘I’m proud of what in two years we’ve achieved:
more folk in jobs, and three free trade deals signed,
huge roadworks under way, and we’ve relieved
mine owners of bad Labor taxes, shined
a spotlight on bad Labor’s Union mates.’
A chopper drowns out half of all he states.

Video 1:54–2:20
‘… terror threats … deployed … the other side …
to bring our loved ones home … the boats have stopped …
compassion … refugees … [I may have lied
or bent the facts a little
] … budget mopped …
billions … without principle the tide
of opposition … [Heaven knows I’ve copped
unprincipled  hysteria for Pell,
and ‘Nope, nope, nope’, and kids in Nauru’s hell.
]

Video 2:20–3:00
‘Of course, there’s much I had still wished to do:
To move things on for Noel’s and other mobs –
bring recognition, school, work, safety too.
My photo-op weeks broke new ground, no probs.
Ice and domestic violence wait in queue.
The wider world presents us with big jobs:
Wars far away are well within our range.
[But notice I don’t mention climate change.]

To be continued …

If you want to read some real poetry on the subject of our recent change of Prime Minister, I recommend the editorial of yesterday’s Saturday Paper. It begins, ‘It is no exaggeration to say Tony Abbott is the worst prime minister Australia has had,’ and builds from there.

The Invitation (conclusion)

Continuing ‘The Invitation’, my versification of Scott Ludlam’s speech. Today’s instalment takes us to the end.

A lone voice in the chamber, he goes on.
‘You’re planning to destroy the NBN;
your A-G, Brandis, bows before the con
of NSA snoop-crimes (has he no yen
for self-respect?). And now the word has gone
out on the Web. Nerds, geeks and coders, then
gamers, are for the first time turning Green,
thanks to your tech-illiterate machine.

‘Most deeply, your campaign to stir up fear –
of people fleeing violence and war –
hoping Australians would accept the smear
and bring our worst impulses to the fore,
instead is bringing out the best. Oh dear
PM, you are most welcome to take your
heartless racist policies and ram
them where tax-payer funded travel scams

‘are hidden and the western sun don’t shine.
What is at stake on by-election day
is whether this man owns the root and vine
of parliament for years. Another way:
we want our country back. Chance, not design,
some ballots lost, required this replay:
we have the opportunity to wrest
one seat back now. Game on, PM. Come west.’

Scott Ludlam, Greens, in purple tie, sat down
to no applause, but now, if your desire is
to see the whole thing, you can go to town
on YouTube where it’s spreading like a virus.

Go, little poem. I pray that Scott won’t frown
at this hommage from one of his admirers.
I’ve changed some meanings, forced by Rhyme, the hoodlum.
What’s vile is mine, what’s fine is made by Ludlam.

Here ends the poem. The Senate by-election campaign is in full swing in WA. Scott Ludlam’s Twitter handle is @SenatorLudlam.

The Invitation (part three)

Continuing ‘The Invitation’, my versification of Scott Ludlam’s speech. Today’s instalment, only three stanzas, takes us to 5:47 of 7:34.

‘It’s 30 years since Greens first called for sanity
against the Cold War nuclear suicide pact.
We’ve fanned the flames for renewable energy.
We’ve fought for values too often attacked:
innovation, learning and equality.
We’ve honoured the First Peoples, and we’ve backed
worldwide resistance to the damage from
worldwide misuse of our uranium.

‘Mr Abbott, your deeds have been noted.
Perth light rail’s millions cancelled, that’s been noted.
Blank cheque for bloody cull of sharks here, noted.
Medicare, schools funding attacks, noted.
Environmental duties outsourced, noted.
Sell-out to Hollywood and biotech, noted.
Between big business and the common good:
we note each time you choose. We note it good.

‘So to be blunt, Prime Minister, the reason
I invite you over west for as much time
as you can spare, is that in pre-poll season
your every utterance makes our vote climb.
Your fracker friends and their like might just breeze in
but hundreds see their actions as a crime
and in the last few weeks have knocked on doors
of thousands more. Your presence helps our cause.’

To be concluded, hopefully tomorrow.

The Invitation (part two)

Continuing ‘The Invitation’, my versification of Scott Ludlam’s speech. Today’s instalment, only three stanzas, takes us to 3:13 of 7:34.

‘Sandgropers have a generous, welcoming soul,
but if when here you boast of your endeavour
to bankrupt the alternatives to coal,
hamstring the ABC, and also sever
state funds from SBS, to dig a hole
and bury same-sex marriage; of your ever
more insidious attacks on work-
ing people, then we’ll treat you like a jerk.

‘Life’s hard enough without three years of you
and your lot working hard to make things worse.
Awkward that you seek out the point of view
of billionaires and oligarchs averse
to Sunday loadings, decent pay – ah, true,
less awkward than revolting. But this curse
will pass. Your sad benighted time won’t last.
We need to raise our sights. The world is vast.

‘The reign of dinosaurs in the cretaceous
was cut short – Oops! dead, buried and cremated!
A like surprise may lurk – Oh goodness gracious! –
in store for you, Hon Tony, perhaps you’re slated
to be just a thin greasy layer of ashes
for research into politics that’s dated
early 21st CE.’ I smile.
He’s having fun. Chris Kenny called it vile.

To be continued. (Chris Kenny’s exchange with Senator Ludlam at the link is amusing.)