Category Archives: LoSoRhyMo

Overland 224 and November Verse 4

Jacinda Woodhead (editor), Overland 224 (Winter 2016)

o224.jpg Overland is always a stimulating read. Among this issue’s offerings I am particularly grateful for:

  • Jeremy and the jeremiads by Richard Seymour, which discusses the ruthless and blatantly dishonest treatment of Jeremy Corbyn, the first radical socialist leader in the Labour Party’s history, by the British press – and not just its reactionary bits. As Seymour says, ‘the Corbyn moment has shown us … just how openly interventionist the majority of the media becomes when official opposition threatens to become a force for more radical change.’ Not just the Murdoch press, then.
  • The limits of compassion by Gerhard Hoffstaedter, which explores Malaysia’s response to the flood of people seeking asylum. It’s not that Malaysia is a beacon of light in this matter, but the scale of the problem there makes the panic and harshness here look even more shameful.
  • ‘Just violations’ by Alex Griffin (not online yet), which offers a historical context for Australia’s offshore detention centres. Japanese prisoners were held on Manus until 1953, and an Australian war crimes courts sat there, implementing the dubious War Crimes Act, in 1950 and 1951: ‘Australia could satisfy domestic interest, escape serious censure from its allies and strengthen its position in the Pacific, all while using the bodies of foreign nationals as bargaining chips in a oerverted and heavily weighted judicial situation.’

There’s also Alison Croggon’s column on her personal experience of depression, Ben Eltham spelling out how out of touch Australia’s political class is with the realities of most people’s lives, Giovanni Tiso on the pitfalls of using social media and the Web in general for political organising, with some interesting history for those who don’t remember Usenet.

No issue of Overland would be complete without the finalists of at least one prize. This one gives us the Victoria University Short Story Prize. The winner, Broad Hatchet by Julia Tulloh Harper, is a convincing bush tale with a neat gender twist.

There’s a poetry section. A new overall design means that the poetry is no longer printed in a light colour on a light background, and as a result can be enjoyed without eye strain. Zoë Barnard’s chilling ‘Impulse’ and Michael Farrell’s weird ‘Solve a problem and it grows two heads’ are the two poems that grabbed me the most.

And because it’s November, a verse. It may not be great but it rhymes:

November Verse 4: To Overland and their ilk on Eight-eleven
Unhappy land that needs a hero.
Duterte, Hitler, Donald Trump,
elected (unlike Stalin, Nero)
masters of the campaign stump
who feed on people’s desperation,
fan the myths of race and nation,
harness hate, despair and fear.
A heedless will for change is here.
We do need change. The seas are rising.
The profit motive hurts us all
and holds our governments in thrall.
I’m grateful for the organising,
analysing work you do.
It gives me hope we’ll make it through. 

Helen Garner’s Everywhere I Look and November Verse 3

Helen Garner, Everywhere I Look (Text 2016)

1925355365.jpgI’ve recently been surprised to hear a number of people refer to Helen Garner as ‘one of our great writers’. My surprise doesn’t come from disagreement. It’s just that hers isn’t writing that invites one to bow down in the presence of greatness. She’s less a Great Dane (or Grande Dame) making magisterial pronouncements than a terrier who keeps on at her subject until it yields some truth, her truth. She passes judgement often enough, and definitely enough, but not dogmatically, and not looking for a stoush either, but ready in case one comes along. A striking feature of Sotiris Dounoukos’ movie of Joe Cinque’s Consolation is the absence of the book’s persistent questioning – so when the end titles announce that, against the strongly implied judgement of the previous 90 minutes, one of the real-world characters was exonerated by a real-world jury, one tends to simply distrust the movie. When the book calls that verdict into question, you can disagree, but you can’t honestly dismiss it out of hand: the judgement has been honestly, and I would say humbly, worked for. (Perhaps its relevant that some of the harshest critics of Garner’s The First Stone refused to read it, or so I’ve been told.)

One of the pieces in this collection is titled ‘While Not Writing a Book’. That could have been a working title for the collection as a whole. It and a couple of others, including ‘Before Whatever Else Happens’, are presented as excerpts from the writer’s diaries/notebooks: overheard snippets, chance encounters, family moments, brief reflections. Another writer might have called them flash fictions or prose poems. Other pieces are more sustained: the product of a week locked away with CDs of Russell Crowe movies; reviews; sketches from the courts; wonderful pieces on her friendships with Jacob Rosenberg, Tim Winton and Elizabeth Jolly; glimpses of family life with grandchildren and, once, a dog; a revisit to her relationship with her mother; reflections on the ukulele, the ballet, suburban life; and more, enough to keep her readers interested between This House of Grief and whatever big thing may happen next.

Everywhere she looks and listens, from conversations about farting with small children to a teenager who has bashed her newborn baby to death, Garner finds stuff for her mind to grapple with, and she knows how to communicate the grappling with grace and vigour.

And now, because it’s November, a versification of one of the diary entries (see page 85 for the original):

Verse 3: At a conference
Supreme Court Judge and Helen Garner
chatted over tea and dip.
‘My home,’ the judge said to the yarner,
‘was once the scene of Monkey Grip,
your novel, and we’re renovating.’
‘My novel, and some devastating
and elating life. But how
do those old rooms look to you now.’
He listed them: ‘… and one so dinky
my daughter’s desk was there before.
It’s soon a bathroom, nothing more.’
‘The one with wooden shutters?’ Inky
flash from hippie days divine:
‘That tiny room was [humbly] mine.’

AWW2016Everywhere I Look is the twelfth book I’ve read as part of the 2016 Australian Women Writers Challenge.

November Verse 2: At a reading

Verse 2: At a poetry reading
Tonight’s star reads with great sonority
poems of country, beasts, trees, birds,
with great if pained superiority
over those who use not words
but guns on feral, sick or wounded
animals, whose lands are bounded,
cut by fences which (truth!) he
declares offensive. Glory be!
His passion shames my mammal-eating,
planet-warming life. It shakes
my donsie tricks, my black mistakes,
my use of coal-fired power for heating.
And yet I wish that he could tell
that other humans are not hell.

There’s a line in there that’s stolen from the great Robert Burns. You can read the poem it’s from here. 

November Verse 1

It’s November and once again, in solidarity with NaNoWriMo participants, I’m taking on a quantity-is-what-matters-and-hang-the-quality project: 14 Onegin stanzas in the month.

I was in Canberra on Halloween night. There wasn’t a lot of trick-or-treating going on in Civic, but as our small group emerged from a pleasant Sri Lankan meal we witnessed what may have been a Halloween-inspired moment.

Verse 1: Spirit of place
It’s nine. We’ve eaten. Frost tomorrow.
The street is still except for these
ebullient young. I’d like to borrow
half their cheer. It’s twelve degrees,
which doesn’t damp down their endorphins:
two young men as sleek as dolphins,
to win a dare or act the fool,
surf naked in the square’s staid pool.
Emerging, one is towelled and shaking.
The other, threatened with a phone,
sprints laughing round the square alone
and wet, all modesty forsaking.
It’s Halloween. No ghosts. No fright.
The body owns this town tonight.

November rhyme # 14

Better late than never. At least the event that inspired this happened in November:

Rhyme #14: Dinner 
From canapes to mango cheesecake
conversation didn’t flag.
(Two teenage boys sat mute – like, please make
this weird food go. It makes me gag.)
A window shows the inner working
of lab mice. There’s no one smirking
that a boyfriend in North Bay
was hit by two cars. Who can stray
down George Street in a hypo stupor
or drop unconscious in a pool
while holding baby? The Art School
exhibition’s still on – super!
Records from ASIO. Oh my!
Too much man sex in London Spy.

And so ends my task of 14 rhymes for November for 2015. I told the emerging Artist (formerly the Art Student) that I was thinking of keeping the doggerel  up, if at a slower rate, as a regular thing in the blog. Tactfully, she said people really like my prose. So normal functioning will resume shortly.

November Rhyme #13

OK, this is a fridge door poem I made earlier, but since the object it describes is once again being exhibited I’m passing it off as done today

as+for+living+II+web

As for Living III, by Penny Ryan. Photo by Kate Scott

Rhyme # 13: Piece in an exhibition
A broken ribcage from some broken
evolutionary line?
But these  aren’t bones – too glibly spoken!
That’s no knotted ridge of spine.
This work displayed in art school stairway
is not by some apprentice Yahweh,
nor did the wondrous Burgess Shale
a woven life like this unveil.
And yet it speaks of some great sorrow,
something beautiful that’s lost,
A world bereft, left with a ghost.
Perhaps a warning for tomorrow
unless we act, lives we hold dear
will be as if they never were.

Rumi in Strathfield and November Rhyme #12

IMG_1447

On Friday evening at the Australian Catholic University, two Muslim scholars sat with an audience and discussed the great 13th century Persian poet Mevlana Rumi.

Ustadh Feraidoon Mojadedi, an Afghani scholar who now lives in the USA, was in conversation with Imam Afroz Ali, of the Sydney Seekers’ Hub, a place of Islamic learning.

They spoke of Rumi as a great spiritual teacher, not just for Muslims, but for all humanity. Ustadh Feraidoon Mojadedi wears his enormous erudition lightly, and had us laughing even as he explained the complexity and depth of Rumi’s vision. He argued that what non-Persian readers need is more, better commentary rather than translation, because all translation is misleading. There’s much more to Rumi than you would gather from the quotes you see on Facebook.

I went along for a number of reasons, but mainly because a friend gave me a copy of The Essential Rumi decades ago which has remained, literally, a closed book. I’m also aware that my ignorance of Islam can’t be a good thing in the age of Corey Bernardi and Donald Trump.

Well, I know a tiny bit more about Rumi, and I’m planning to go to another event next week. But possibly more significant is how the evening altered my sense of Islam.

The relaxed, affectionate  relationship of the two scholars was in sharp contrast to images I have from movies.

In question time, it was women who asked all the questions – so much for the notion that women are silenced in Islam.

And most interestingly we were all invited to join the sunset prayer part way through the event. I’m not at all religious, but I’d joined in the Our Father at an Anglican ceremony the previous day. I checked with a number of people and joined the prayers. I did a lot wrong: I hadn’t arrived in an abluted state, I didn’t take my shoes off, I joined a line that turned out to be the women’s line, and I’m pretty sure I failed to follow all the standing and kneeling correctly (though my Catholic youth and childhood was some preparation for that). And of course I didn’t understand what was being said by the prayer leader. But there is something profound in joining a group of people who humbly bow repeatedly in the face of the mystery of the universe, and I returned to the lecture with an extraordinary sense of our shared humanity. Which was also the content of much of the talk.

So I went to the event expecting a literary evening, and found something quite different.

I’ve set myself a task of writing a 14-line rhyme with each blog entry in November (originally inspired by those people who write a whole novel in November – not sweating over quality, just getting the words out). Here goes for this one:

Rhyme #12: On joining sunset prayers
I bow, I kneel, I touch my forehead
to the grass. I have no God:
no disrespect, I take these borrowed
gestures (like my childhood’s nod
at Jesus’ name, or genuflection)
not to seek some Power’s protection,
but to say: The world is vast,
my time here comes and goes so fast.
Right now I humbly pay attention
to what is deepest in my heart:
my loves, my challenges, the part
I choose to take past good intention.
We bow, we stand, we’re flesh and bone
and mind. We’re none of us alone.

 

November Rhyme # 11

I’m having to produce a 14-line stanza a day if I’m to meet my quota. This is a true story:

Rhyme #11: Intimations
Between the ATM and Woollies,
death brushed my shoulder, had a word.
The voice was not a schoolyard bully’s,
but soft, you’d almost say it purred:
‘You’ll lose all this, perhaps not tomorrow,
but time runs out – beg, steal or borrow
makes no difference, you’ll be gone
as silent as a babe unborn.’
A baby sucked juice from a bottle.
A tricep showed a red-inked rose.
The checkout chaps had wispy moes.
The air outside was drenched in wattle.
The dog snapped at a passing fly.
One day all this will say goodbye.

November Rhyme #10

This weekend the United Nations Climate Summit begins in Paris. The huge march through the rues and boulevards that had been planned has been cancelled because of the risk of mass murder, but all over the rest of the world people will gather in a massive display of concern about climate change. The Sydney event starts at 1 o’clock, in the Domain.

The ‘People’s Climate March team’ emailed me suggesting I share a post of theirs on social media. The post was fine, but I realised that my real challenge is to say something from my own brain. So, at the risk of seeming to trivialise the issue, Sunday’s March is the subject of today’s little rhyme. It turns out that my own brain is full of fragments of other people’s wisdom.

Rhyme #10: Three days before the People’s Climate March
There’s no such thing as a human being,
there’s only humans and everything else:
stars that pull from beyond our seeing,
myriads living in our cells.
The human race has disunited,
Earth’s love for us gone unrequited,
who favour empire, comfort, gain,
and make the whole world our domain.
Saint Francis called the fire his brother,
water his sister. Was he wrong,
or was there muscle in his song?
This time we have is like no other:
last week is gone, next year’s too late,
what we do now decides our fate.

November Rhyme # 9

A versified excerpt from a conversation (I use the term loosely, as it was a bit hard to get a word in at the time). The title is not a misprint. No prize but much admiration for the first to decipher it:

Rhyme #9: Memento Moro
‘The kids today have no idea.
You must know, you’re about my age.
They think it was all Germaine Greer,
fat Elvis, punk, glam rock – no beige.
The seventies, in these confected
histories were cool, protected
from the darkness of our times:
all showbiz, glitz and fashion crimes.
I tell them of Brigate Rosse,
Baader-Meinhoff, Patty Hearst,
the Shining Path: there was a thirst
for violence then. It wasn’t glossy.
Look, where the light of memory dims,
at Lord Mountbatten’s scattered limbs.’