Category Archives: LoSoRhyMo

November Verse 10: Pictures and words

Today’s stanza draws on a passage from Middlemarch in which Ladislaw, whose hair is ‘not immoderately long’, argues the superiority of poetry over painting. The first two lines are almost a direct quote.

November verse 10: Pictures and words
Language gives a fuller image,
all the better as it's vague.
Paintings flaunt their frozen plumage,
stare insistent from the frame
in finished, silent imperfection.
Neither love nor harsh rejection
crease a portrait's botox brow.
No worm forgives the painted plough.
Life as lived is full of noises
much diviner than what's seen
(or, on occasion, more obscene).
The air resounds with speaking voices:
one picture can delight your eyes,
a thousand words can make you wise.

November Verse 9: Shouting at my phone

I won’t name the podcast. I suppose if I had been listening with real interest I wouldn’t have got snagged on what is after all a common usage these days, but it was drilled into me in primary school that one lies down and lays the table, lay down and laid the table, and my mind evidently still replays the nuns’ rebukes from 1954.

November verse 9: Yelling at my phone
She said she just laid in the water. 
I shouted at my phone: Laid what?
The language changes and I ought to
take it in my strides – why not?
Give someone an intensive purpose.
Let him join an army corpus,
answer questions someone begs
and buy the dozens that are egg's.
Sneak peaks aren't fit to die on.
The world's just right for doggy-dogs
but still wrong for slow-boiling frogs.
The planet warms, we may be dying.
As we near that final night
at least let's try to spell it right. 

In case any of the references are obscure:

  • line 4: the correct idiom is ‘take it in my stride’
  • line 5: ‘to all intents and purposes’ means something; ‘to all intensive purposes’ doesn’t
  • line 6: ‘Corps’ is pronounced to rhyme with ‘core’. And in my opinion ‘corp’, short for ‘corporation’, should be pronounced as written
  • line 7: ‘To beg the question’ does not mean the same as ‘to raise the question’. In classical logic, it happens when an argument’s premises assume the truth of the conclusion, instead of supporting it
  • line 8: Apostrophes aren’t necessary when an s is there to indicate more than one of something. (Apostrophes are probably necessary hardly anywhere, but that’s another argument)
  • line 9: It’s a sneak peek and a dog-eat-dog world
  • line 10: The analogy of a frog that won’t jump out of boiling water if it boils gradually may be instructive, but I’d like to know if there’s any evidence that frogs are that stupid

November Verse 8: Graupel

The weatherman on ABC News the other night spoke of graupel, a lovely word that was new to me. It almost does the impossible and rhymes with purple.

November verse 8: Graupel

The heavens opened, down came graupel,
baby hail. The storm soon passed
and downstairs' lawn shone green, white, purple –
jacaranda, ice and grass.
A rattling downpour, hints of thunder,
then this calm nine-minute wonder.
For a moment we knew grace,
La Niña showed her lovely face. 
Not so in Molong, Forbes, and Nowra.
There La Niña went to town
to rip and drench, to smash and drown,
then flashed her worst at poor Eugowra.
She's no god we must appease.
Code red: 1.5 degrees!

Added later: Photo taken from our kitchen window of our downstairs neighbours’ yard. The jacaranda blossoms don’t show up in this photo, but they were there.

Photo by Penny Ryan

November Verse 7: Demo

I was going to have a couple of days break from versifying, but yesterday morning demanded rhyme.

November verse 7: Demo

We met outside the bank this morning,
placards, microphone and drums,
to amplify the climate warning:
No more cash for coal, you bums. 
This movement’s male and white no longer:
cheerful, young, brown, female, stronger
than it’s ever been. Today,
though many heads were white and grey,
the ones from Asia and the oceans
led us, spoke of rising tides
and fossil-fuel based genocides,
derided short-term profit notions,
knew how to push the envelope
and temper urgency with hope.

The National Australia Bank, in spite of having a policy of not funding new fossil fuel ventures, is actually lending billions of dollars to Whitehaven Coal, which has no policy of cutting emissions and plans to mine vast amounts of coal for the foreseeable future. Meanwhile island nations in the Pacific and Indian Oceans are in trouble. The Move Beyond Coal movement has just finished an Australia-wide Week of Action targeting the NAB.

November Verse 6: Eclipse

For decades newspaper cartoonists have laboured for metaphorical links between the Melbourne Cup and the US election that fell on the same Tuesday in November. This stanza labours a link between astronomical and political.

November verse 6: Eclipse

Here the streets were full of gazers,
faces to the shadowed moon.
No pyrotechnics to amaze us:
cosmic lightshow, gone too soon.
A woman said, 'It's good so many
came outdoors, when there's Sweet Fanny
Adams profit to be made,
just heaven's bodies on parade.'
But over there the lines of voters
braced themselves for Thunderdome 
(though far too many stayed at home).
The climate, SCOTUS, former POTUS:
stakes are high this northern Fall – 
this Tuesday’s poll could doom us all.

November Verse 5: Active Seniors

This happens every Tuesday, though the musical accompaniment is usually Latin disco rather than Glee.

November verse 5: At the Active Seniors Class

Meek we are, like lambs to slaughter –
not for killing, nor still young.
Lead us on, we say, no quarter,
keep us active, though we're bung.
A back, a knee, a frozen shoulder,
nameless aches from growing older,
long in tooth and short of breath:
we've miles to go before our death.
'What doesn't kill you makes you stronger':
that's the soundtrack as we squat,
lunge, lift weights, tighten cores, get hot
and sweaty. Can we last much longer?
Then it's stretches, brief applause,
and back to life outside those doors

November Verse 4

No sooner had my last verse mentioned the joys of staying up all night than this happened. Please don’t read this as arguing that the solution to all problems is to call the police

November verse 4: When neighbours have a noisy party

I wake at two, hear thumping music,
sink back deep inside my dream
of old alarms. But meanwhile you stick
useless earplugs in, you scream
a silent (thank you!) scream, phone coppers:
Don't chase crime, be music-stoppers.
You pace, you read, drink water, weep:
the lads next door have murdered sleep.
And I snooze on, as some through warnings
scientists give on climate change,
through so much violence, so much strange
and deadly in our world. This morning
cops at last came, put things right.
Your vigil brought a silent night.

November Verse 3

Another stanza about an incident from my week.

November verse 3: Ageing

She fell again today. No broken
bones this time, but something gave.
She called my phone, all calmly spoken:
‘Help. I’m stuck. Please come and drive
me home.’ No time for noes or maybes.
Growing old is not for babies.
Parkinson’s is crueller still.
We all go when we get a call.
Friends would once go dancing, singing,
up to usher in the dawn,
greet fate with our collective scorn.
But now time’s chariot comes winging,
we know when we face the gun
it’s one for all and all for one.

November Verse 2: Swimming with a two-year-old

It looks as if this year’s November verses are going to be diary entries.

November verse 2: Swimming with a two-year-old

He pushes me, says, 'Go way, Poppa!'
If I go away he'll drown.
Still, I obey. It's only proper.
Kicking, flailing, he goes down
then back up in my arms and grinning,
safe, a little shaken – winning.
Sister swims, so he will too:
skip the learning, let's just do!
The class begins: a different story.
Ring a rosy, crocodile,
wobble wobble, throw the ball:
each game a challenge, fun or scary.
Splash! We laugh and cry. We play.
We learn, it seems, just by-the-way.

November Verse 1: On quitting Twitter

For the thirteenth year in a row, I’m setting out to write 14 fourteen-line poems in November. I intend to write mostly Onegin stanzas*, and at least some of them will relate to the news of the day. As always the aim is quantity, and quality if possible.

So here goes with Verse Nº 1, hoping I don’t lose too many readers who might otherwise have been referred here by Twitter:

On quitting Twitter
I'll miss the cats and fancy dances,
Dreyer's copy-ed decrees,
First Nations chat – what are the chances
I'll find another path to these?
I'll miss the links to weighty writing,
jokes and spleen and humble-skiting,
praise apportioned, insults hurled.
I've closed my window on that world.

Thank Musk, speech freedom absolutist.
No longer am I like a chook
transfixed by python's stony look,
a string to algorithm's lutist.
Come on out, the real world's fine.
My idle moments now are mine.

For those who don’t know:

  • Benjamin Dreyer is chief copy-editor at Random House in New York, author of Dreyer’s English: An Utterly Correct Guide to English and Style, passionate advocate of the Oxford comma and endlessly amusing tweeter
  • Indigenous X is, or was until recent attacks led them to hit pause, a rotating Twitter account founded by Luke Pearson and hosted by a different First Nations person each week

* The Onegin stanza was probably invented by Alexander Pushkin and features in his verse novel Eugene Onegin. I first encountered it, and fell into its thrall, in Vikram Seth’s verse novel The Golden Gate. It consists of 14 lines of iambic tetrameter (meaning that each line has four beats, or four feet, of two syllables each) with the rhyme scheme aBaB ccDD eFF eGG, where the lowercase letters represent rhymes where the stress falls on the second-last syllable, and the uppercase represent rhymes where the stress falls on the last syllable.